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" I have observed that in all our tragedies the audience cannot forbear laughing when the actors are to die; 'tis the most comic part of the whole play. All passions may be lively represented on the stage if to the well-writing of them the actor supplies... "
Southey's Common-place Book: Choice passages - Página 551
por Robert Southey - 1849
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Essays of John Dryden: Introdcution. List of Dryden's works. Epistle ...

John Dryden - 1900
...might give a man an hour to kill another in good earnest with them. 1 to which we are subject, BC. ' I have observed that in all our tragedies, the audience...cannot forbear laughing when the actors are to die ; it is the most comic part of the whole play. All passions may be lively represented on the stage,...
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Critical Essays and Literary Fragments

1903 - 344 páginas
...know are so blunted, that we might give a man an hour to kill another, in good earnest, with them. I have observed that in all our Tragedies, the audience...to die. 'Tis the most comic part of the whole Play. All Passions may be lively Represented on the Stage, if, 72 LISIDEIUS — IMAGINATION v. SIGHT. [ to...
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Macmillan's Magazine, Volumen1;Volumen93

1906
...as the author intended. " I have observed," says Lisideius in Dryden's ESSAY OF DRAMATIC POESIE, " that in all our tragedies the audience cannot forbear laughing when the actors are to die ; it is the most comic part of the whole play." In 1647, a^ter two disappointments, Corneille's candidature...
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English Prose and Poetry (1137-1892)

John Matthews Manly - 1916 - 792 páginas
...2 narration of events not shown on the stage AE an hour to kill another in good earnest with them? 00 00 it is the most comic part of the whole play. All passions may be lively represented on the stage, if...
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English Prose and Poetry (1137-1892)

John Matthews Manly - 1916 - 792 páginas
...we know are so blunted, that we might give a man an hour to kill another in good earnest with them? 3 where the gods and giants fought 4 King Arthur 5...and the following are places celebrated in the roma it is the most comic part of the whole play. All passions may be lively represented on the stage, if...
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European Theories of the Drama: An Anthology of Dramatic Theory and ...

Barrett Harper Clark - 1918 - 501 páginas
...know are so blunted that we might give a man an hour to kill another in good earnest with them. " 1 have observed that in all our tragedies, the audience...cannot forbear laughing when the actors are to die; it is the most comic part of the whole play. All paetiont may be lively represented on the stage, if...
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European Theories of the Drama: An Anthology of Dramatic Theory and ...

Barrett Harper Clark - 1918 - 501 páginas
...know are so blunted that we might give a mun an hour to kill another in good earnest with them. " 1 have observed that in all our tragedies, the audience...cannot forbear laughing when the actors are to die; it is the most comic part of the whole play. All pastiom may be lively represented on the stage, if...
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Southey's Common-place Book: Choice passages

Robert Southey - 1850
...Without a love-intrigue to introduce And sparkify them there." LOBD DIOBY, Elvira, Ibid. p. 161. DRYDEN says, " I have observed that in all our tragedies...of the heavenly bodies in their several apartments, Februarys, lialfan-hour after three, after noon, from whence you are to judge the success of a new...
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Sources of Dramatic Theory: Volume 1, Plato to Congreve

Michael J. Sidnell, Sidnell Michael J., D. J. Conacher - 1991 - 317 páginas
...we know are so blunted, that we might give a man an hour to kill another in good earnest with them, 'I have observed that in all our tragedies, the audience...cannot forbear laughing when the actors are to die: it is the most comic part of the whole play, All passions may be lively represented on the stage, if...
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The Major Works

John Dryden - 2003 - 967 páginas
...we know are so blunted that we might give a man an hour to kill another in good earnest with them? 'I have observed that in all our tragedies the audience...to die. Tis the most comic part of the whole play. M\ panions may be lively represented on the stage, if to the well writing of them the actor supplies...
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