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" I had thought myself in an ancient castle (a very natural dream for a head filled like mine with Gothic story) and that on the uppermost bannister of a great staircase I saw a gigantic hand in armour. "
Blackwood's Edinburgh Magazine - Página 146
1819
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A Self-made Surrealist: Ideology and Aesthetics in the Work of Henry Miller

Caroline Blinder - 2000 - 194 páginas
...the uppermost banister of a great staircase I saw a gigantic band in armour. In the evening I . . . began to write, without knowing in the least what I intended to say or relate. The work grew . . . in short I was so engrossed with my tale, which I completed in less than two months, that...
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The Castle of Otranto

Horace Walpole, Michael Gamer - 2002 - 212 páginas
...the uppermost bannister of a great staircase I saw a gigantic hand in armour. In the evening I sat down and began to write, without knowing in the least what I intended to say or relate. The work grew on my hands, and I grew fond of it - add that I was very glad to think of anything rather than...
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The Trauma of Gender: A Feminist Theory of the English Novel

Helene Moglen - 2001 - 238 páginas
...the uppermost bannister of a great staircase 1 saw a gigantic hand in armour. In the evening I sat down and began to write, without knowing in the least what I intended to say or relate. The work grew on my hands, and I grew fond of it— add that I was very glad to think of anything rather than...
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The Castle of Otranto and The Mysterious Mother

Horace Walpole - 2003 - 364 páginas
...the uppermost bannister of a great staircase I saw a gigantic hand in armour. In the evening I sat down and began to write, without knowing in the least what I intended to say or relate. The work grew on my hands, and I grew fond of it — add that I was very glad to think of anything rather than...
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The Noonday Cemetery and Other Stories

Gustaw Herling-Grudziński - 2003 - 302 páginas
...the uppermost bannister of a great staircase I saw a gigantic hand in armour. In the evening I sat down and began to write, without knowing in the least what I intended to say or relate." That was how The Castle ofOtranto was conceived. One night I woke from a deep, dreamless sleep and,...
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Gothic: Eighteenth-century Gothic : Radcliffe, reader, writer, romancer

Fred Botting, Dale Townshend - 2004 - 400 páginas
...the uppermost bannister of a great staircase I saw a gigantic hand in armour. In the evening I sat down and began to write, without knowing in the least what I intended to say or relate. The work grew on my hands, and I grew fond of it ... retracing with any fidelity [I could muster] the manners...
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The Castle of Otranto: A Gothic Story

Horace Walpole - 2004 - 148 páginas
...uppermost bannister of a great staircase I saw a gigantic hand in armour." Later that evening, Walpole "sat down, and began to write, without knowing in the least what I intended to sav or relate. A classic was born. HORACE WALPOLE Horace Walpole was the third son of the prominent...
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Speculations on Speculation: Theories of Science Fiction

James E. Gunn, Matthew Candelaria - 2005 - 404 páginas
...on the uppermost banister of a great staircase I saw a gigantic hand in armor. In the evening I sat down, and began to write, without knowing in the least what I intended to say or relate ..." 14• Piranesi engraved his Carceri in Rome in 1745, heralding the whole Romantic movement or...
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The Prose of Things: Transformations of Description in the Eighteenth Century

Cynthia Wall - 2006 - 331 páginas
...the "uppermost bannister" of an "ancient castle" a "gigantic hand in armour": "In the evening I sat down and began to write, without knowing in the least what I intended to say or relate. The work grew on my hands, and I grew fond of it" (9 March 1765, in Correspondence, 1:88). The giant things...
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Catholicism, Sexual Deviance, and Victorian Gothic Culture

Patrick R. O'Malley - 2006 - 16 páginas
...the uppermost bannister of a great staircase I saw a gigantic hand in armour. In the evening I sat down and began to write, without knowing in the least what I intended to say or relate."40 As Devendra P. Varma points out in The Gothic Flame, "The ingredient of fear creeps in only...
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