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" Ah ! let not Censure term our fate our choice, The stage but echoes back the public voice ; The drama's laws, the drama's patrons give, For we that live to please, must please to live. "
The British Plutarch: Containing the Lives of the Most Eminent Statesmen ... - Página 102
1791
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A Dictionary of Quotations from English and American Poets, Volumen1

Henry George Bohn - 1883 - 782 páginas
...looks so many fathoms to the sea, And hears it roar beneath. 1285 Shaks. : Hamlet. Act 1. Sc. 4. DRAMA. The drama's laws the drama's patrons give, For we that live to please, must please to live. 1286 Dr. Johnson : Pro. On Opening Drury Lane Theatre. Some force whole...
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The Theatre: An Essay Upon the Non-accordancy of Stage-plays with the ...

Josiah Woodward Leeds - 1884 - 96 páginas
...reformed basis, there occurs this sentiment : '* Ah t let not censure term our fate our choice. The stage but echoes back the public voice ; The drama's laws the drama's patrons give, For we that live to please must please to live." Dumas, who wrote Camillc, said : " You do not take your daughter to see...
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Red-letter Poems by English Men and Women

1885 - 686 páginas
...And chase the new-blown hubbies of the day. Ah ! let not Censure term our fate our choice, The stage but echoes back the public voice; The drama's laws, the drama's patrons give, For we that live to please, must please to live. Then prompt no more the follies you decry, As tyrants doom their tools...
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The Poet and His Audience

Ian Jack - 1984 - 214 páginas
...romantic than they know. They should recall Samuel Johnson's pithy comment on the history of drama The Drama's Laws the Drama's Patrons give. For we that live to please, must please to live3 — and reflect that the history of European music, painting and sculpture...
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Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America

Lawrence W. Levine - 1990 - 324 páginas
...when on the stage." Here was literal proof of the continued validity of Samuel Johnson's prologue: The drama's laws, the drama's patrons give, For we that live to please, must please to live. 'The public," an American critic agreed in 1805, "in the final resort,...
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Shakespeare in His Context: The Constellated Globe

Muriel Clara Bradbrook - 1989 - 238 páginas
...Johnson's words for the opening of the New Theatre in Drury Lane, 1747 by Garrick, may apply today The Drama's Laws the Drama's Patrons give, For we that live to please, must please to live or in the blunter form that Garrick used in his own 'Occasional Prologue'...
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The Plays of Henry Fielding: A Critical Study of His Dramatic Career

Albert J. Rivero - 1989 - 198 páginas
...with its audience. Gibber's pragmatic defense of his dramatic procedures — his version of Johnson's "The Drama's Laws the Drama's Patrons give,/ For we that live to please, must please to live"15 — is a shrewd one; it allows him to deplore the declining taste of...
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The Concise Columbia Dictionary of Quotations

Robert Andrews - 1989 - 414 páginas
...tragedies are finish'd by death, all comedies are ended by a marriage. Lord Byron (1788-1824) English poet The drama's laws, the drama's patrons give, For we that live to please, must please to live. Dr. Samuel Johnson (1709-1784) English author, lexicographer A first night...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1172 páginas
...plac'd, Must watch the wild Vicissitudes of Taste; (1. 47—48) 9 The Stage but echoes back the publick Voice. The Drama's Laws the Drama's Patrons give. For we that live to please, must please to live. (1. 52-54) EBEV; NAEL-1; NOEC; NoP A Short Song of Congratulation 10 Long-expected...
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Northrop Frye in Conversation

Northrop Frye, David Cayley - 1992 - 244 páginas
...time? FRYE: In the eighteenth century there was a great deal of feeling that, as Samuel Johnson says, 'The drama's laws, the drama's patrons give, / For we that live to please, must please to live."126 Well, that is true, but with other people, like Addison, for example,...
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