| Pauline Kiernan - 1998 - 236 páginas
...attention to the discrepancy between the passion and the rhetoric by contemplating, 'What would he do, / Had he the motive and the cue for passion / That I have?' (554—6) and in doing so, closes up the gap between the rhetoric and the emotion, making us realise... | |
| Henry Sussman - 1997 - 338 páginas
...nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal... | |
| Richard Halpern - 1997 - 308 páginas
...nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty, and... | |
| Moses Mendelssohn - 1997 - 370 páginas
...nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? . . . - Hamlet, Act II, Scene n What a masterstroke! Experience teaches that dejected souls find a... | |
| Elena Alexander, Douglas Dunn - 1998 - 204 páginas
...remaining child, her daughter Cassandra, he might have an emoThat he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appall... | |
| Valeria Wagner - 1999 - 288 páginas
...is "out of ^Hamlet is here taking the place of the player in H.ii, of whom he says: What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Confound the ignorant, and... | |
| Joan Ackermann - 1999 - 60 páginas
...into character.) What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech Get off my ass, buddy. (Looking... | |
| Tom Lutz - 2001 - 358 páginas
...as his grief at his father's death has still found no expression. "What would he do," he continues, "Had he the motive and the cue for passion/ That I have? He would drown the stage with tears." The various motivations for tears — performative, expressive, and empathetic... | |
| Stephen Orgel, Sean Keilen - 1999 - 356 páginas
...nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? [2.2.534-46] Hamlet makes the point that dances before us in every scene. Dramatic, rhetorical motive... | |
| Robert Weimann - 2000 - 324 páginas
...the speaker's awareness of play and the reference to the (First) Player looms large. What would he do Had he the motive and [the cue] for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech (2.2.560-563) As the traveling... | |
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