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" What's Hecuba to him or he to Hecuba That he should weep for her? What would he do Had he the motive and the cue for passion That I have? "
The Tragicall Historie of Hamlet, Prince of Denmarke - Página 45
por William Shakespeare - 1869 - 118 páginas
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Shakespeare's Theory of Drama

Pauline Kiernan - 1998 - 236 páginas
...attention to the discrepancy between the passion and the rhetoric by contemplating, 'What would he do, / Had he the motive and the cue for passion / That I have?' (554—6) and in doing so, closes up the gap between the rhetoric and the emotion, making us realise...
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The Aesthetic Contract: Statutes of Art and Intellectual Work in Modernity

Henry Sussman - 1997 - 338 páginas
...nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal...
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Shakespeare Among the Moderns

Richard Halpern - 1997 - 308 páginas
...nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty, and...
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Moses Mendelssohn: Philosophical Writings

Moses Mendelssohn - 1997 - 370 páginas
...nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? . . . - Hamlet, Act II, Scene n What a masterstroke! Experience teaches that dejected souls find a...
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Footnotes: Six Choreographers Inscribe the Page

Elena Alexander, Douglas Dunn - 1998 - 204 páginas
...remaining child, her daughter Cassandra, he might have an emoThat he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appall...
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Bound to Act: Models of Action, Dramas of Inaction

Valeria Wagner - 1999 - 288 páginas
...is "out of ^Hamlet is here taking the place of the player in H.ii, of whom he says: What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Confound the ignorant, and...
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Marcus is Walking

Joan Ackermann - 1999 - 60 páginas
...into character.) What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech Get off my ass, buddy. (Looking...
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Crying: The Natural and Cultural History of Tears

Tom Lutz - 2001 - 358 páginas
...as his grief at his father's death has still found no expression. "What would he do," he continues, "Had he the motive and the cue for passion/ That I have? He would drown the stage with tears." The various motivations for tears — performative, expressive, and empathetic...
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Shakespeare and the Literary Tradition

Stephen Orgel, Sean Keilen - 1999 - 356 páginas
...nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? [2.2.534-46] Hamlet makes the point that dances before us in every scene. Dramatic, rhetorical motive...
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Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre

Robert Weimann - 2000 - 324 páginas
...the speaker's awareness of play and the reference to the (First) Player looms large. What would he do Had he the motive and [the cue] for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech (2.2.560-563) As the traveling...
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