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" In his fancy pictures, when he had fixed on his object of imitation, whether it was the mean and vulgar form of a wood-cutter, or a child of an interesting character, as he did not attempt to raise the one, so neither did he lose any of the natural grace... "
The General Biographical Dictionary - Página 210
editado por - 1814
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The Discourses

Sir Joshua Reynolds - 1887 - 332 páginas
...schools. In his fancy pictures, when he had fixed on his object of imitation, whether it was the mean and vulgar form of a wood-cutter, or a child of an interesting...taste ; for this he was certainly not indebted to the Flemish School, nor, indeed, to any school ; for his grace was not academical or antique, but selected...
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The Discourses

Sir Joshua Reynolds - 1887 - 330 páginas
...schools. In his fancy pictures, when he had fixed on his object of imitation, whether it was the moan and vulgar form of a wood-cutter, or a child of an interesting...taste ; for this he was certainly not indebted to the Flemish School, nor, indeed, to any school ; for his grace was not academical or antique, but selected...
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The Monthly Review, Volumen3

Sir Henry John Newbolt, Charles Hanbury-Williams - 1901 - 668 páginas
...own name to the masters from whom Gainsborough gained not a little ; but in another place he adds : This excellence was his own, the result of his particular...taste : for this he was certainly not indebted to the Flemish school, nor, indeed to any school ; for his grace was not academical or antique, but selected...
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Thomas Gainsborough, R.A.

Alfred Ewen Fletcher - 1904 - 304 páginas
...imitation, whether it was the mean and vulgar forms of a woodcutter, or a child of an interesting Fidelity character, as he did not attempt to raise the one,...and taste; for this he was certainly not indebted to the Flemish School, nor indeed to any school ; for his grace was not academical or antique, but selected...
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Discourses Delivered to the Students of the Royal Academy

Sir Joshua Reynolds - 1905 - 564 páginas
...schools. In his fancy-pictures, when he had fixed on his object of imitation, whether it was the mean and vulgar form of a woodcutter, or a child of an interesting...taste ; for this he was certainly not indebted to the Flemish School, nor indeed to any school ; for his grace was not academical or antique, but selected...
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The Enlightenment: A Sourcebook and Reader

Paul Hyland, Olga Gomez, Francesca Greensides - 2003 - 496 páginas
...Schools. In his fancy-pictures, when he had fixed on his object ot imitation, whether it was the mean and vulgar form of a wood-cutter, or a child of an interesting...and taste; for this he was certainly not indebted to the Flemish School, nor indeed to any School; for his grace was not academical, or antique, but selected...
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The Enlightenment: A Sourcebook and Reader

Paul Hyland, Olga Gomez, Francesca Greensides - 2003 - 494 páginas
...on his oblect ol imitation, whether it was the mean and vulgar form oI a wood-cutter, or a child o1 an interesting character, as he did not attempt to raise the one, so neither did he lose any ol the natural grace and elegance of the other; such a grace, and such an elegance, as are more lrequently...
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Sharpe's London Magazine: a Journal of Entertainment and ..., Volumen4

1847 - 440 páginas
...already quoted. — " when he had tixed on his object of imitation, whether U was the mean and vu'gar form of a woodcutter, or a child of an interesting...did he lose any of the natural grace and elegance ot the other. This excellence was his own, the result of his particular observation and taste ; for...
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The Students' Cabinet Library of Useful Tracts, Volumen5

1839 - 348 páginas
...schools. In his fancy-pictures, when he had fixed on his object of imitation, whether it was the mean and vulgar form of a woodcutter, or a child of an interesting...not attempt to raise the one, so neither did he lose a*y of the natural grace and elegance of the other; such a grace, and such an elegance as are more...
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