 | G. Wilsin Knight - 2002 - 368 páginas
...thunder-music contrast — such as occurs throughout Coriolanus — in Cleopatra's dream of Antony: ... his voice was propertied As all the tuned spheres,...quail and shake the orb, He was as rattling thunder. (v. ii. 83) Here love's voice, as often elsewhere, is compared with the spheral music of the universe.... | |
 | Kenneth Muir - 2002 - 208 páginas
...there are all sorts of polarities juxtaposed. Cleopatra defines one of them in her dream of Antony: his voice was propertied As all the tuned spheres,...when he meant to quail, and shake the orb, He was as ratding thunder. (v, ii, 83-6) Notice how Irene Worth's voice subdy reflects the tone-qualities her... | |
 | John Alan Roe - 2002 - 238 páginas
...Antony's magnanimity in her famous dialogue with Dolabella when she extols the virtues of her dead lover: For his bounty, There was no winter in't; an autumn...more by reaping. His delights Were dolphin-like; they showed his back above The element they lived in. In his livery Walked crowns and crownets; realms and... | |
 | David Wiles - 2003 - 332 páginas
...lighted The little O, o'th earth . . . His legs bestrid the ocean; his reared arm Crested the world; his voice was propertied As all the tuned spheres...quail and shake the orb, He was as rattling thunder . . ,8' it is easy for a modern audience in the reconstructed Globe to grasp the metaphors of scale.... | |
 | William Shakespeare - 2004 - 224 páginas
...DOLABELLA Most sovereign creature CLEOPATRA His legs bestrid the ocean, his reared arm Crested the world; his voice was propertied As all the tuned spheres,...friends But when he meant to quail and shake the orb, 85 He was as rattling thunder. For his bounty, There was no winter in't - an autumn 'twas That grew... | |
 | Charles Martindale, A. B. Taylor - 2011 - 340 páginas
...'bounty' - all the more pertinent in that it is ser against Caesar's false promise of generous treatment: an autumn 'twas That grew the more by reaping. His...they show'd his back above The element they liv'd in. (5.2.87-90) Significance turns on the inrerpreration of 'delights', which is usually glossed as pleasures.... | |
 | Kenneth Muir - 2005 - 224 páginas
...and lighted The little O, the earth ... His legs bestrid the ocean: his rear'd arm Crested the world: his voice was propertied As all the tuned spheres,...dolphin-like; they show'd his back above The element they lived in: in his livery Walk'd crowns and crownets: realms and islands were As plates dropp'd from... | |
 | Anna Murphy Jameson - 2005 - 472 páginas
...shake the orb, He was as rattling thunder. For his bounty, There was no winter in 't; an autumn 'twas1, That grew the more by reaping. His delights Were dolphinlike;...livery* Walk'd crowns and crownets: realms and islands were As plates dropt from his pocket.* DOLABELLA. Cleopatra!— CLEOPATRA. Think you, there was, or... | |
 | Frederick William Sternfeld - 2005 - 392 páginas
...is the music of Shakespeare's verse : His legs bestrid the ocean, his rear'd arm Crested the world ; his voice was propertied As all the tuned spheres,...quail and shake the orb, He was as rattling thunder. Antony, the king, and Cleopatra, the queen, redeemed through death, regain their regal stature. Their... | |
 | Ernest Schanzer - 2005 - 216 páginas
...contrast of moods, is reminiscent of Cleopatra's description of Antony in her great speech to Dolabella: His voice was propertied As all the tuned spheres,...friends; But when he meant to quail and shake the orb, 1 A neat epitome of the opposed attitudes to Falstaff, presented throughout the two parts of the play,... | |
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His legs bestrid the ocean: his rear'd arm Crested the world : his voice was propertied As all the tuned spheres, and that to friends ; But when he meant to quail and shake the orb, He was as rattling thunder. 
