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" A fixed figure for the time of scorn To point his slow unmoving finger at ! Yet could I bear that too ; well, very well : But there, where I have garner'd up my heart, Where either I must live, or bear no life ; The fountain from the which my current... "
Is Life Worth Living? - Página 119
por William Hurrell Mallock - 1879 - 328 páginas
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THE DRAMATIC WORKS OF WILLIAM SHAKESPEARE; ILLISTRATED: EMBRACING A LIFE OF ...

1851
...captivity me and my utmost hopes ; I should have found in some part of my soul A drop of patience : but (alas !) to make me A fixed figure, for the time of scorn l To point his slow, unrnoving finger at,—- O! O! Yet could I bear that too ; well, very well : But...
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The dramatic (poetical) works of William Shakspeare; illustr ..., Volumen7

William Shakespeare - 1851
...captivity me and my utmost hopes ; I should have found in some part of my soul A drop of patience : but (alas !) to make me A fixed figure, for the time of scorn 1 To point his slow, unmoving finger at, — O! O! Yet could I bear that too ; well, very well : But...
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Othello

William Shakespeare - 1968 - 238 páginas
...heaven . . . they. Shakespeare possibly wrote 'God . . . he'. See An Account of the Text, p. 231. 53-4 A fixed figure for the time of scorn \ To point his slow unmoving finger at! Othello thinks of himself as an object of mockery, pointed at by the scornful time, as the figure on...
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The Tragedy of Othello, the Moor of Venice

William Shakespeare - 1976 - 310 páginas
...alas, to make me A fixed figure for the time of scorn To point his slow unmoving finger at! Yet could I bear that too; well, very well; But there where I have garnered up my heart, Where either I must live, or bear no life, The fountain from the which my current runs, Or else dries up;...
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Othello As Tragedy: Some Problems of Judgement and Feeling

Jane Adamson, Adamson Jane - 1980 - 300 páginas
...nearer to acknowledging what he really feels - only then to slide away towards self-pity again : But alas, to make me A fixed figure for the time of scorn To point his slow unmoving finger at! Yet could I bear that too, well, very well. (11- 52-5) It is a sense of himself as the utterly helpless...
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Comic Transformations in Shakespeare

Ruth Nevo - 2004 - 242 páginas
...not. O but her eye . . .' But so far only for the audiences' delectation. He has not yet been made a fixed figure for the time of scorn to point his slow and moving finger at. This overthrow occurs during the eavesdropping scene and he brings it upon himself....
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Shakespeare's Festive World: Elizabethan Seasonal Entertainment and the ...

Frangois Laroque - 1993 - 423 páginas
...singleness and a reduction of the individual to the common lot of mankind), Othello refuses to be made 'A fixed figure, for the time of scorn / To point his slow unmoving finger at . . . ' (iv, ii, 56—7). The difference between the noble Moor and the rest is that, to his eyes,...
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The Masks of Othello: The Search for the Identity of Othello, Iago, and ...

Marvin Rosenberg - 1992 - 313 páginas
...involvement was plain from the painful intensity, the personal assimilation he expressed in ... But alas! to make me A fixed figure for the time of scorn To point his slow and moving finger at — The groan which escaped from the broad chest was natural ... In place of interpreting...
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Othello

William Shakespeare - 1992 - 172 páginas
...captivity me and my utmost hopes, I should have found in some place of my soul A drop of patience; but, alas, to make me A fixed figure for the time of scorn To point his slow-removing finger at!'" Yet could I bear that too; well, very well; But there, where I have garnered...
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Shakespeare the Actor and the Purposes of Playing

Meredith Anne Skura - 1993 - 325 páginas
...Renaissance Drama," English Literary History 54 (1987): 561-83, on the cuckold's fate. He is exposed as a "fixed figure, for the time of scorn / To point his slow unmoving finger at" (Oth. 4.2.54-55), as Othello feared; he hears the whole world whispering, "Sicilia is a so-forth" (WT...
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