"A Natural Delineation of Human Passions": The Historic Moment of Lyrical BalladsC. C. Barfoot Rodopi, 2004 - 277 páginas Most of the articles in A Natural Delineation of Human Passions" originated in the Twelfth October Conference held in Leiden to celebrate the bicentenary of the publication of Lyrical Ballads. The first article, by the editor, "An Historic Moment: 'A Natural Delineation of Human Passions' as a 'New Morality'?", attempts to establish an historic and an historical context, both personal and political, for the six articles that follow, by Åke Bergvall, Myra Cottingham, C.P. Seabrook Wilkinson, James McGonigal, Jacqueline Schoemaker, and Suzanne E. Webster, which consider the themes of vagrancy and wandering in Lyrical Ballads, the expression of loss and compensation, and the consequences, both beneficial and perilous, for the language and rhetoric of poetry. Then three articles, by Annemarie Estor, Daniel Sanjiv Roberts, and Paul E.A. van Gestel, consider the ambience of science and philosophy in which Wordsworth and Coleridge strove to affirm the creative participation of poetry. After this, Jacqueline M. Labbe, Titus P. Bicknell, Robert Druce, and M. Van Wyk Smith discuss the parallel contributions of some of the more neglected contemporaries of the authors of Lyrical Ballads, not necessarily in English nor necessarily in England - Mary Robinson, Walter Savage Landor, Robert Bloomfield and Thomas Pringle. The volume concludes with an extended examination by Timothy Webb of the responses, both admiring and scornful, of the younger generation of Romantics to the legacy of Lyrical Ballads. |
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Página 31
... Female Vagrant is situated in the Other by her replacement of language with weeping , and the narrator himself nods towards the Other in his inability to " tell " her which way to go next ( carrying with it the implication that without ...
... Female Vagrant is situated in the Other by her replacement of language with weeping , and the narrator himself nods towards the Other in his inability to " tell " her which way to go next ( carrying with it the implication that without ...
Página 32
... Female Vagrant " and " Goody Blake and Harry Gill " can be seen as anticipatory epitaphs , in that we expect the Female Vagrant to die of exposure ( " The fields I for my bed have often used " , she says before she heads off across the ...
... Female Vagrant " and " Goody Blake and Harry Gill " can be seen as anticipatory epitaphs , in that we expect the Female Vagrant to die of exposure ( " The fields I for my bed have often used " , she says before she heads off across the ...
Página 33
... Female Vagrant " , to his own technical skills.35 The reader may expect the eight - line 31 Ibid . , 103 . 32 Ibid . , 104 . 33 " It is right to give Him thanks and praise ” ( “ First Eucharistic Prayer " , in Alternative Service Book ...
... Female Vagrant " , to his own technical skills.35 The reader may expect the eight - line 31 Ibid . , 103 . 32 Ibid . , 104 . 33 " It is right to give Him thanks and praise ” ( “ First Eucharistic Prayer " , in Alternative Service Book ...
Página 36
... Female Vagrant , the shepherd is reduced to weeping " in the public roads alone " . Again , as in " The Female Vagrant " , the seemingly concerned narrator is unable to help him , but in this poem the narrator is not even present at the ...
... Female Vagrant , the shepherd is reduced to weeping " in the public roads alone " . Again , as in " The Female Vagrant " , the seemingly concerned narrator is unable to help him , but in this poem the narrator is not even present at the ...
Página 39
... Female Vagrant " , cannot help the old man , at least this time the tired , walking figure has a known destination . The convict , too , is suffering , but here , for the first time , we meet a narrator who feels he can do something to ...
... Female Vagrant " , cannot help the old man , at least this time the tired , walking figure has a known destination . The convict , too , is suffering , but here , for the first time , we meet a narrator who feels he can do something to ...
Contenido
15 | |
41 | |
Jacqueline Schoemaker | 67 |
Suzanne E Webster | 92 |
in Lyrical Ballads | 103 |
Paul E A van Gestel | 129 |
Titus P Bicknell | 157 |
Thomas Pringle | 189 |
Timothy Webb | 209 |
Notes on Contributors | 249 |
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"A Natural Delineation of Human Passions": The Historic Moment of Lyrical ... Vista previa limitada - 2016 |
Términos y frases comunes
Ancyent Marinere Anti-Jacobin appeared Biographia Literaria Bloomfield Burns's Byron characters Clare Coleridge's Collected Letters context critical cultural Currie Currie's death Dorothy Wordsworth dream Eastern Cape edition of Lyrical emotional English epitaph Ernest de Selincourt essay expression Farmer's Boy feelings Female Vagrant Golfre Gothic Harry Gill Haydon Hermit human Ibid Idiot Boy imagination John Keats Landor language Latin literary literature Liverpool logocentric London loss Lyrical Ballads Marinere's Martha Ray mind moral narrative narrator nature Oxford parody passions perhaps Peter Bell poem's poet poetic political Preface Priestley Priestley's Pringle Pringle's Prose published reader Rime Robert Robinson Romantic Romanticism Salisbury Plain Samuel Taylor Coleridge seems sense sensibility Shelley Shelley's Simon Lee sonnet South Africa Southey stanza story suggests supernatural tale tell Thomas Thorn Tintern Abbey tradition verse violence volume Walter Savage Landor William Wordsworth words Wordsworth and Coleridge Wordsworth's poetry Wordsworthian writing Zorietto
Pasajes populares
Página 161 - ROSE AYLMER AH, WHAT avails the sceptred race! Ah ! what the form divine ! What every virtue, every grace ! Rose Aylmer, all were thine. Rose Aylmer, whom these wakeful eyes May weep, but never see, A night of memories and of sighs I consecrate to thee.
Página 80 - Once again I see These hedge-rows, hardly hedge-rows, little lines Of sportive wood run wild : these pastoral farms, Green to the very door...
Página 48 - He told of the magnolia, spread High as a cloud, high over head ! The cypress and her spire ; — Of flowers that with one scarlet gleam Cover a hundred leagues, and seem To set the hills on fire.
Página 15 - This historical sense which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional.
Página 109 - One impulse from a vernal wood May teach you more of man, Of moral evil and of good, Than all the sages can. Sweet is the lore which Nature brings ; Our meddling intellect Mis-shapes the beauteous forms of things : — We murder to dissect. Enough of Science and of Art ; Close up those barren leaves ; Come forth, and bring with you a heart That watches and receives.
Página 118 - The majority of the following poems are to be considered as experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure.
Página 77 - Like one that on a lonesome road Doth walk in fear and dread, And having once turned round, walks on, And turns no more his head ; Because he knows a frightful fiend Doth close behind him tread.
Página 24 - Words strain, Crack and sometimes break, under the burden, Under the tension, slip, slide, perish, Decay with imprecision, will not stay in place, Will not stay still.
Página 123 - He is a man speaking to men : a man, it is true, endowed with more lively sensibility, more enthusiasm and tenderness, who has a greater knowledge of human nature, and a more comprehensive soul, than are supposed to be common among mankind...