independent principles, which have hitherto guided, and shall still continue to guide us, we hold ourselves entitled to make just what use of this Tragedy we please. It is, therefore, our will and pleasure to reverse the order of the day; and, instead of dangling-year after year-at the heels of stingy and capricious managers, we hereby bid defiance to their well or ill-calculated pleas of rejection, and invite them to court us. It is not consistent with our avocation, to tell them how well the plot is managed, or what strong excitement in an audience the interest of the piece may be found to produce. Nor yet will we disclose to them, wantonly and prematurely, that strict knowledge of stage effect which the author of this Tragedy displays. Our sole purpose at present is to redeem the pledge in our last number, by exhibiting to our readers a few specimens of those poetical beautics in which the Tragedy abounds. The following extract is from the opening scene in the first act, betwixt Wallace and Kirkpatrick: Wall. But 'tis wisdom not to think Too deeply on such matters. It embitters The cup of misery-too sour already! Kirkp. True, true;-I'll think of it no more-but go Why didst thou widow hope when I was born? To gaze upon the picture bright with glory! But what is Scotland now? Let me not think of it, Wall. No!-while Scotland is enslav'd! No man should marry till his country's free: Which mars the only good that wisdom aims at ! Its victor-crest-and see its joyous bands Chase those proud spoilers from our ravag'd country- Kirkp. Alas, the change!. The daring spirit of the North is dead, Or only lives to haunt her children's dreams. The proudest barons court the oppressor's smiles In fortune's pompous vanity, how Henry Paus'd-with the whole power of England at his back And see a sovereign on the Scottish throne Too proud to pay him homage. Wall. I could tell him! With this true sword, whose temper ne'er deceiv'd me! I could tell Edward that our sires were men Who gloried in their birthright!-Men who flew, And hail'd the mighty conflict in their souls With the fierce joy that freedom's warriors feet! They rash'd triumphant-like the mountain torrent We extract the following from the Second Act.-Graham is an ardent lover of his native Scotland; so is Floremma, his sister; but she is at the same time the lover of Wallace. Flor. The storm increases-hark! (thunder heurd) That awful peal might daunt the bravest spirit And sober even madness.-There!-(flash of lightning) 0, Graham! -(another peal.) Grah. Away!the fears of womanhood- Of living glory-and my country's freedom. Grah. And tender too-I wish he were thy husband. Nay, blush not!-It would give me such delight As woman feels when singled from a group Of rival beauties by a monarch's favour. But he is deep in love! Flor. Indeed!-with whom? She must be happy that Grah. The mind of Wallace Would make an angel happy in his love. Grah. I can boast that blessing But wherefore wait I ?-He may need my help. If you but wait a moment, I will tell you.- Flor. But is he not in love? Grah. Deeply in love. Flor. But what's her name? Eliza. Has she no name but Beauty? Grah. She has and rivals pant to gain her favour. Flor. Then they must yield where Wallace is a suitor. Grah. They must indeed-now where is he? Flor. First name her! Grah. 'Tis Caledonia-widow'd Caledonia! Flor. Oh, is that all? Grah. Why, is it not enough? See, how she muses!-doth that tear speak joy, The hour is come that renovates their beauty. And tell me where is Wallace ? Flor. Stay, 'tis dark. I'll send a guide. Grah. Go, lead the blind, Floremma! I want no guide. Name but his resting-place If mountain-vale-moor-wood-or misty stream- Or wizard cave, where midnight demons murmur Flor. Hush! You make me shudder. Grah. A guide for me! I know the pathless wild By intuition-like its guardian genius And Wallace is our master. Canst thou name A place unknown?-The giddy precipice, To moonlight melody-and dance foot-wing'd, Why, I have mus'd upon the evening star, Till Heaven's bright herald told the noon of night. I know each scene of wild romantic beauty, Where magic breathes-or strains of rapture break Who, bending from the purple cloud of vengeance, And the following is in strict continuity with the foregoing: But where is he?- Flor. Close by the hill of storms! Grah. Then is he safe!-The torrent's leaping foam And weep such beauty born to be enslaved! (going.) Flor. (detaining him) O speak on still!-'tis music for the soul! To see the peasant lead his blushing bride From Hymen's altar-to beget more slaves!. Then would deep feelings hurry him away From human haunts-to roam the mountain-wilds, And startle Nature in her stormy dwelling. There would he mark the eagle's sweep through heaven, And wish for liberty's proud wings—to follow- On God's creation-stretch'd immense around!— We should be weighed in the balance, and found alike wanting on the score of patriotism and of gallantry, were we, by any abstract rule, of-of we know not what to refuse a place in our pages to the following stanzas, chanted by ladies after Wallace's victory at the bridge of Stirling : Weave, maidens, weave the Patriot's crown Of bays that bloom immortally !. For tyranny is overthrown And Scotland hath the victory !— The victory--the victory! For tyranny is overthrown- Prepare the bay-and wake the strain For Scotia's maids can burn like men- (Enter Wallace at the head of his friends, marching on to Stirling-the ladies change the tune, and sing) O blest be his march to the music of gladness, Who comes in his might like the foam-rolling sea! And throws from our bosom the mantle of sadness--( dropping the searves.) Our spirit was broke As we bow'd to the yoke, And darkly in murmurs our country deplor'd, Snatch'd up liberty's plume, And gave it to Wallace along with his sword! The cottage was dreary---and lonesome the palace-- The claymore ye wav'd And freedom reviv'd on the field of your fame! Is your country's proud tear, While blessing the hero that honours her name. Every female reader will surely bless us for the next extract.-The scene is after a skirmish, at the outskirts of which Floremma is mortally wounded: |