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Flemish and dutch schools.

Kugler, Franz Theodor. Handbook of painting: The german, flemish and dutch schools, based on the handbook of Kugler, remodelled by prof. Waagen. New ed., revised and in part re-written by J. A. Crowe. Ill. Lond. 1874. 2 v. O. 753: P2 Buxton, Harry J. Wilmot, and E: J. Poynter. German, flemish and dutch painting. (Ill. text-books of art.) Lond. 1881. D.

753:1 Förster, Ernst. Mittelalter oder renaissance? [C:] G[ottfried] Pfannschmidt und Anselm Feuerbach. In Deutsche zeit- und streit fragen. 304: 15 v11

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Jameson, Anna, born Murphy, and Lady Elizabeth Eastlake, born Rigby. The history of our Lord, as exemplified in works of art, with that of his types, St. John the baptist and others, persons of the Old and New testament. 2d ed. Lond. 1865. 2 v. O. 755:1 - Legends of the madonna, as represented in the fine arts. Corr. and enl. ed. Bost. 1877. T. 755:2 Sacred and legendary art, as represented in the fine arts. Bost. 1865. 2 v. T. 755:4 Contents. V. 1. Legends of the angels and archangels, the evangelists, the apostles, the doctors of the church and St. Mary Magdalene. 2. The patron saints, the martyrs, the early bishops, the hermits, and the warrior saints of christendom.

Legends of the monastic orders, as represented

in the fine arts; forming the second series of Sacred and legendary art. Corr. and enl. ed. Bost. 1865. T. 755:3 Emeric-David, Toussaint Bernard. A series of studies, designed and engraved after five paintings by Raphael, with historical and critical notes; the work dedicated to Ferdinand VII, king of Spain, by the chevalier F. Bonnemaison. Amer. ed., reproduced by the heliotype process. Bost. 755: R11 1881. Q. Titian gallery, The; a series of 24 of the most renowned works of Titian, reproduced in heliotype, with a sketch of the life and works of the artist. Bost. 1883. Q.

755: R9 Toschi's engravings from frescoes by Correggio and Parmegiano, reproduced by the heliotype process. Bost. 1883. Q. 755: R10 English and american.

Buxton, Harry J. Wilmot-. English painters ; with a chapter on american painters by S. R. Koehler. Lond. 1883. D. 756:2 Ruskin, J: The art of England; lectures given in Oxford. N. Y. 1883. D. 756:3

Ireland, J: Hogarth illustrated. Ill. Lond. 1884. Q. 756: P6 Engravings from Landseer, reproduced in heliotype, with a sketch of the life and works of the artist. Bost. 1882. Q. 756: R5 Ware, W: Lectures on the works and genius of Washington Allston. Bost. 1852. D.

756:1 Champney, Lizzie, born Williams. John Angelo at the water-color exhibition. Ill. Bost. [1883]. O. x 759+1

x denotes books specially adapted for children.

Engraving and Photography.

1. Engraving.

Maberly, J. The print collector; an introd. to the knowledge necessary for forming a collection of ancient prints, with an app. containing Fielding's treatise on the practice of engraving. Ed. with notes, an account of contemporary etching and etchers, and a bibliography of engraving, by Robert

Baker, W: S. The origin and antiquity of engraving; with some remarks on the utility and pleasures of prints. Heliotype ill. Bost. 1875. Q. 760: R1 Duplessis or Gratet-Duplessis, G: The wonders of engraving. [Ill. lib. of wonders.] N. Y. 1876. D. 760: 2 Pettit, James S. Modern reproductive graphic processes. [Van Nostrand's science ser.]

Ruskin, J: Ariadne florentina; six lectures on wood and metal engraving, with app., given before the university of Oxford, in michaelmas term 1872. Plates. N. Y. 1880. D. 760:5 Chatto, W: Andrew. A treatise on wood engraving, historical and practical. Ill. New ed. with an add. chapter by H: G. Bohn. Lond. [1861]. Q. 761: R1 Woodberry, G: E. A history of wood-engraving. N. Y. 1883 [1882]. O. Linton, W. James. The history of wood-engraving in America. Ill. Bost. 1883. Q.

761: P2

761: R3

Hergesheimer, E. The pantograph; its use in engraving. In U. S. coast survey rep. 1867. in 622 : D Hamerton, Philip Gilbert. Etching and etchers. Ill. Bost. 1878. O. 767+1 Lalanne, François Antoine Maxime. Treatise on etching. Authorized amer. ed., from 2d french ed. by S. R. Koehler; with introd. and notes by the tr. Bost. 1880. O.

767: R2

Jackson, Mason. The pictorial press; its origin and progress. Ill. Lond. 1885. O. 761:4

2. Photography.

Abney, W: de Wiveleslie. A treatise on photography. 2d ed. [Text-books of science.] Lond. 1883. S. 770:2 Bigelow, L. G. Artistic photography, and how to attain it. Phila. 1876. Ö. 770: R4 Lea, Mathew Carey. A manual of photography; intended as a text-book for beginners and a book of reference for advanced photographers. 2d ed., rev. and enl. Phila. 1871. 770+5 Price, Lake. A manual of photographic manipulation, treating of the practice of the art and its various applications to nature. 20

ed. Lond. 1868. D.

Thomas, R: Wheeler. The modern practice of photography. Phila. 1868. O. 770:6

Tissandier, Gaston. A history and handbook of photography. Tr. from the french, ed. by J. Thomson. 2d and rev. ed., with an

app. by H: Fox Talbot. Ill. Lond. 1878. D. 770:9 Towler, J: The silver sunbeam; a practical and theoretical text-book on sun drawing and photographic printing, comprehending all the wet and dry processes at present known with collodion, albumen, gelatine, wax, resin and silver, as also heliographic engraving, photolithography, photozincography, microphotography, celestial phofography, photography in natural colors, solar camera work, tinting and coloring of photographs, printing in various colors, the carbon process, the card picture, the cabinet picture, the vignette and stereography. 9th ed., enl., imp. and ill., and containing matter written by Blanquart Everard, and others. N. Y. 1879. D.

770:7 Vogel, Hermann. The chemistry of light and photography. Ill. (Intern. scientific ser.) N. Y. 1875. D. 770:1 Photographers' pocket reference - book and dictionary; an alphabetically arranged collection of practically important hints on the construction of the gallery, selection and trial of lenses and chemicals, approved formulæ for the different photographic processes, tables of weights and measures, rules for avoiding failure, etc., for photographers and amateurs. Tr. from the german, by E: F. Moelling. Phila. 1873. D.

770:8 Tapley, D. J. Amateur photography; a practical instructor. Ill. N. Y. 1884. D. 770:12 Wallace, Ellerslie, jr. The amateur photographer; a manual of photographic manipulation, intended especially for beginners and amateurs, with suggestions as to the choice of apparatus and of processes. Phila. [1884]. D. 770:11 Ayres, G: B. How to paint photographs in water colors and in oil, how to work in crayon, make the chromo-photograph, retouch negatives, and instructions in ceramic painting; a practical hand-book designed for the use of students and photographers, containing directions for brush work in all kinds of photo - portraiture. N. Y. 1883. D. 770:3

7. Music.

1.

General and collected works, including criticism.

Grove, Sir G:, ed. A dictionary of music and musicians, 1450-1880, by eminent writers, english and foreign; in 4 v. Lond. 18791883. V. 1-3. O. 780: R1

Contents. V. 1. A-Impromptu. 2. ImproperiaPlain song. 3. Planché-Sumer is icumen in. Riemann, Hugo. Musik-lexikon; theorie und

geschichte der musik, die tonkünstler alter
und neuer zeit mit angabe ihrer werke,
nebst einer vollständigen instrumenten-
kunde. Leipz. 1882. D.
780: R14

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power, the progressions, separations and corruptions of poetry and music. Prefixed, The cure of Saul, a sacred ode.. Lond. 1763. Q. 23: R Berlioz, L: Hector. Gesammelte schriften; übers. und herausg. von R: Pohl. Leipz. 1877. 4 v. in 3. D. 780:24 Contents. V. 1. À travers chants; musikalische studien, huldigungen, einfälle und kritiken. 2, 3. Orchester-abende; musikalische novellen und genrebilder. 4. Musikalische grotesken; humoristische feuilletons.

Hauptmann, Moritz. Opuscula; vermischte aufsätze. Leipz. 1874. D.

780:22

Contents. Klang. Temperatur. Der dreikla ng und seine intervalle.-Dreiklang mit der pythagoraichen terz.-Zum quintenverbot.-Zur auflösung des dominantseptimenaccordes durch erweiterung der septime zur octav. - Einige regeln zur richtigen beantwortung des fugenthemas-Das hexachord.Authentisch und plagalisch. - Contrapunct. - Metrum. Zur metrik. Ueber die recitative in J. S. Bach's Matthäus-passion.-Kunstvollendung.-Form in der kunst.-Ironie der kunst.-Mannlich und weiblich.-Egoismus.-Mechanik.-Die sinne. Haweis, Hugh Reginald. My musical memories. N. Y. 1884. D. 780: 16 Schumann, Robert. Music and musicians; essays on criticisms. Tr., ed. and annotated by Fanny Raymond Ritter. Portr. N. Y. 1880. D. 781:5 Wagner, W: R: Gesammelte schriften und dichtungen. Leipz. 1871-73. 8 v. O.

780:20

Contents. V. 1. Einleitung. - Autobiographische skizze bis 1842.-Das liebesverbot.-Rienzi, der letzte der tribunen.-Ein deutscher musiker in Paris: Ein pilgerfahrt zu Beethoven; Ein ende in Paris; Ein glücklicher abend; Ueber deutsches musikwesen; Der virtuos und der künstler; Der künstler uud die öffentlichkeit; Rossini's Stabat mater. Ueber die ouvertüre. Der freischütz in Paris. - Bericht über eine neue Pariser oper.-Der fliegende holländer. 2. Tannhäuser. - Bericht über die heimbringung der sterblichen überreste Karl Maria v. Weber's aus London nach Dresden.-Bericht über die aufführung der neunten symphonie von Beethoven im Jahre 1846.Lohengrin. Die Wibelungen; weltgeschichte aus der sage. Der Nibelungen-mythus als entwurf zu einem drama. Siegfried's tod. - Trinkspruch im gedenktage des 300-jährigen bestehens der Königlichen musikalischen kapelle in Dresden. - Entwurf zur organisation eines deutschen nationaltheaters für das königreich Sachsen. 3. Die kunst und die revolution.-Das kunstwerk der zukunft.-Wieland der schmiedt, als drama entworfen. - Kunst und klima.-Oper und drama: ler t., Die oper und das wesen der musik. 4. Oper und drama: 2ter t., Das schauspiel und das wesen der dramatischen dichtkunst; 3ter t., Dichtkunst und tonkunst im drama der zukunft. - Eine mittheilung an meine freunde. 5. Ueber die Goethestiftung.-Ein theater in Zürich. -Ueber musikalische kritik.-Das judenthum in der musik.-Erinnerungen an Spontini. - Nachruf an L. Spohr und chordirektor W. Fischer.-Glück's ouverture zu Iphigenia in Aulis. - Ueber die aufführung des Tannhäuser.-Bemerkungen zur aufführung der oper Der fliegende holländer. - Programmatische erläuterungen. - Ueber Franz Liszt's symphonische dichtungen.-Das Rheingold. 6. Der Ring des Nibelungen; bühnenfestspiel.-Epilogischer bericht über die umstände und schicksale, welche die ausführung des bühnenfestspieles Der ring des Nibelungen, bis zur veröffentlichung der dichtung desselben, begleiteten. 7. Tristan und Isolde. Ein brief Hector Berlioz.-Zukunftsmusik.- Bericht über die aufführung des Tannhäuser in Paris. - Die meistersinger von Nürnberg. Das Wiener Hof-operntheater. 8. Dem königlichen freunde.-Ueber staat und religion. -Deutsche kunst und deutsche politik.-Bericht an seine majestät den könig Ludwig II von Bayern über eine in München zu errichtende deutsche musikschule. Meine erinnerungen an Ludwig Schnorr von Carolsfeld.-Zur widmung der zweiten auflage von Oper und drama.-Censuren.-Ueber das dirigiren.-Drei gedichte. 9. An das deutsche heer von

Wagner, W: R:-Continued.

an Auber.-Beethoven.-Ueber die bestimmung der oper.-Ueber schauspieler und sänger.-Zum vortrag der neunten symphonie Beethoven's.-Sendschreiben und kleinere aufsätze.-Bayreuth.-Inhaltsübersicht der Gesammelten schriften und dichtungen.-Sechs architektonische pläne zu dem bühnenfestspielhause. Art life and theories; selected from his writings and tr. by E: L. Burlingame, with a catalogue of Wagner's published works; and drawings of the Bayreuth opera house. (Amateur ser.) N. Y. 1875. D. 781:8 Contents. Introd.-Autobiography.-The love-veto; the story of the first performance of an opera.-A pilgrimage to Beethoven.-An end in Paris. - Der freischütz in Paris.-The music of the future.-An account of the production of Tannhäuser in Paris.The purpose of the opera.-Musical criticism.-The legend of the Nibelungen.-The opera-house at Bayreuth. - Catalogue of Wagner's published works. Index.

- Beethoven; with a supp. from the philosophical works of Arthur Schopenhauer. Tr. by E: Dannreuther. Lond. 1880. D. 781:6 Grove, Sir G: Beethoven's nine symphonies; analytical essays, with an introd. by the author and a pref. by G: Henschel. Bost. 1884. S. 781: 15 Keynote, The; a weekly review devoted to music and the drama, ed. by F: Archer; v. 1-4. N. Y. 1883. F. 705.8: M Milwaukee school of music, J: C. Fillmore, dir. Catalogue, 1884-5. Milw. [1885]. D. 780: Pam

2. History.

Ambros, A: W: Geschichte der musik; mit zahlreichen notenbeispielen und musikbeilagen. 2te unveränderte aufl. Leipz. 1880 -1882. 5 v. 0. 780:23

Contents. V. 1. Die ersten anfänge der tonkunst.Die musik der antiken welt: Die völker der vorhellenischen cultur; Die völker der antik-klassischen cultur. 2. Die ersten zeiten der neuen christlichen welt und kunst.-Die_entwickelung des mehrstimmigen gesanges. 3. Die zeit der niederländer.-Die musik in Deutschland und England.-Die italienische musik des 15. jahrhunderts. 4. Palestrina.-Die zeit des Palestrinastyles.-Der monodische styl in Rom.— Die musikreform und der kampf gegen den contrapunkt. Die zeit des überganges.-Die zeit der ersten dramatischen musikwerke.-Claudio di Montiverde. -Theoretiker und lehrer.-Die italienischen organisten. 5. Kade, 0:, ed. Auserwählte tonwerke der berühmten meister des 15. und 16. jahrhunderts. Bell, N. R. E., (N. D'Anvers). Elementary history of music by N. D'Anvers. New ed. by Owen J. Dullea. Lond. 1882. D. 780: 25 Burney, C: A general history of music from the earliest ages to the present period. 2d ed. Lond. 1789. 4 v. Q. 780: R13

- The present state of music in France and Italy, or The journal of a tour through those countries, undertaken to collect materials for a general history of music. 780: R2 2d ed., corr. Lond. 1773. 0.

The present state of music in Germany, the
Netherlands and United Provinces, or The
journal of a tour through those countries,
undertaken to collect materials for a gen-
eral history of music. 2d ed., corr. Lond.
1775. 2 v. O.
780: R3

Busby, T: A general history of music from the earliest times to the present; comprising

writers, the whole accompanied with notes and observations, critical and illustrative. Lond. 1819. 2 v. O. 780:27 Chappell, W: The history of music; art and science. V. 1: From the earliest records to the fall of the roman empire, with explanations of ancient systems of music, musical instruments and of the true physiological basis for the science of music, whether ancient or modern. Lond. [1874]. 0. 780: 18 Dommer, Arrey v. Handbuch der musikgeschichte von den ersten anfängen bis zum tode Beethoven's, in gemeinfasslicher darstellung. 2te verb. aufl. Leipz. 1880. O. 780:17 Hawkins, Sir J: A general history of the science and practice of music. Lond. 1776. 5 v. Q. 780: R28 Same. Supplementary volume of portraits. Lond. 1883. Q. 780: R28 v6 Hogarth, G: Musical history, biography and criticism. N. Y. 1848. O. 780:21

Hunt, H: G: Bonavia. A concise history of music from the commencement of the christian era to the present time, for the use of students. New ed., rev. N. Y. [1878]. D. 780:6 Langhans, W: Die musikgeschichte in zwölf vorträgen. 2te wesentlich verm. aufl. Leipz. 1879. O.

780:15

Ritter, F: L: History of music; in the form of lectures. 1st and 2d series.

v. S.

Bost. 1876. 2

780:10

780:11

Music in England. N. Y. 1883. D. Music in America. N. Y. 1883. D.

780: 12

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Gardiner, W: The music of nature, or An attempt to prove that what is passionate and pleasing in the art of singing, speaking and performing upon musical instruments, is derived from the sounds of the animated world. Ill. Bost. 1838. O. 781:7 Gurney, Edmund. The power of sound. Lond. 1880. Q. 781+2 Hand, Ferdinand Gotthelf. Aesthetics of musi

cal art, or The beautiful in music. Tr. from the german by Walter E. Lawson. Book 1st. 2d ed. Lond. 1880. D. 781:21 Hanslick, E: Vom musikalisch schönen; ein beitrag zur revision der ästhetik der tonkunst. 6te verm. und verb. aufl. Leipz. 1881. D. 781:14 Helmholtz, Hermann L: Ferdinand. On the physiological causes of harmony in music. Tr. by A. J. Ellis. In his Popular lectures. 504: 6 v1 Mathews, W: Smith Babcock. How to understand music; a concise course in musical intelligence and taste. Added, a pronouncing dictionary and condensed encyclopedia of musical terms and information. Chicago. 1880. O. 781+3 Naumann, Emil W: Robert. Zukunftsmusik und die musik der zukunft; ein vortrag gehalten am 6 jan. 1877 im Wissenschaftlichen verein zu Berlin. In Deutsche zeitund streit-fragen. 304: 15 v6

Piutti, C: Regeln und erläuterungen zum studium der musik-theorie; für seinen unterricht herausg. Leipz. 1883. O. 781:17 Pole, W: The philosophy of music; the substance of a course of lectures delivered at the Royal institution of Great Britain, in feb. and march 1877. [Eng. and foreign phil. lib.] Bost. 1879. O. 781: 4 Riemann, Hugo. Musikalische logik; hauptzüge der physiologischen und psychologischen begründung unseres musik-systems. Als Dissertation unter dem titel Ueber das musikalische hören." Leipz. [1874]. S. 781:11 Musikalische syntaxis; grundriss einer harmonischen satzbildungslehre. Leipz. 1877. 0. 781: 12 Skizze einer neuen methode der harmonielehre. Leipz. 1880. O. 781: 10 Neue schule der melodik; entwurf einer lehre des contrapunkts nach einer gänzlich neuen methode. Hamburg. 1883. O.

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Die natur der harmonik. kalischer vorträge, no. 40.)

Schubart, Christian F: Daniel.

Ideen zu einer

ästhetik der tonkunst. In his Gesammelte
schriften.
830: 146 v5

Taylor, Sedley. The science of music, or The
physical basis of musical harmony. [Pop.
science lib.] N. Y. 1875. D.
781:1
Westphal, Rudolf G: Hermann. Allgemeine
theorie der musikalischen rythmik seit J.
S. Bach, auf grundlage der antiken und
unter bezugnahme auf ihren historischen
anschluss an die mittelalterliche, mit be-
sonderer berücksichtigung
Bach's
Fugen und Beethoven's Sonaten. Leipz.
1880. O.
781:18
- Die musik des griechischen alterthumes; nach
den alten quellen neu bearb. Leipz. 1883.
0.
781:19

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4. Dramatic, church and vocal

music.

Clément, Félix, and P: Larousse. Dictionnaire des opéras, dictionnaire lyrique; contenant l'analyse et la nomenclature de tous les opéras et opéras-comiques représentés en France et à l'étranger depuis l'origine de ce genre d'ouvrages jusqu'à nos jours, complété par des suppléments périodiques, maintenant à cet ouvrage un caractère d'actualité. Paris. [1869]. O. 782: R5 Includes [ler] Supplément, contenant les ouvrages représentés en France et à l'étranger pendant le cours de l'impression du Dictionnaire lyrique, and 2e-4e supplément, contenant les ouvrages représentés en France et à l'étranger pendant les années 1869-1880, ainsi que des notices complémentaires pour les années précédentes.

Carleton, Fanny E., (Notelrac). Operas; their writers and their plots, by "Notelrac." Phila. 1882. S. 782:2 Hogarth, G: Memoirs of the musical drama. Lond. 1838. 2 v. O. 782:4

Wolzogen und Neuhaus, Hans Paul freiherr v. Thematischer leitfaden durch die musik zu R: Wagner's festspiel Der ring der Nibelungen. 4te verb. und verm. aufl. Leipz. 1878. D. 782:3 Lindau, H: Gustav Paul. Nüchterne briefe aus Bayreuth. 10te aufl. Breslau. [1881]. D.

782: 1 Schasler, Max. Ueber dramatische musik und das kunst-werk der zukunft; ein beitrag zur ästhetik der musik. In Deutsche zeitund streit-fragen. 304: 15 v12

Contents. 1ste abth. Ist die musik eines dramatischen ausdrucks fähig?-2te abth. Die moderne oper und R: Wagner's musik-drama. Maretzek, Max. Crotchets and quavers, or Revelations of an opera manager in America. N. Y. 1855. D. 782:6

Mason, Lowell. Musical letters from abroad; including detailed accounts of the Birmingham, Norwich and Düsseldorf musical festivals of 1852. N. Y. 1854. D.

783:1

Robinson, C: Seymour, ed. Laudes domini; a selection of spiritual songs, ancient and modern. N. Y. [1884]. O. 783:2 Bliss, Philip P., and Ira D: Sankey. Gospel hymns and sacred songs, as used by them in gospel meetings. Cinc. n. d. O. 783:4 Liliencron, Rochus freiherr v. Ueber den chorgesang in der evangelischen kirche. In Deutsche zeit- und streit-fragen.

304: 15 v9 Krehbiel, H. E. Notes on the cultivation of choral music and the Oratorio society of New York. N. Y. 1884. O. 784: 5 Johnson, Helen Kendrick. Our familiar songs and those who made them; more than 300 standard songs of the english speaking race, arr. with piano accompaniment and preceded by sketches of the writers and histories of the songs. N. Y. 1881. Q. 784: R1

McCaskey, J. P., ed. Franklin square song collection; songs and hymns for schools and and homes, nursery and fireside; [no. 1, 2]. N. Y. 1881, [1884]. 2 v. O. 784:2

Hills, W: H., comp. Students' songs; comprising the newest and most popular college songs, as now sung at Harvard, Yale, Columbia, Cornell, Dartmouth, Amherst, Vassar [and other colleges]. Cambridge. [1883]. Q. 784+3 Alexander, Frances, tr. Roadside songs of Tuscany; ed. by J: Ruskin. Ill. N. Y. 1884. 3 v. O. 784+4 Contents. Pt. 1. The story of Lucia, with author's and ed.'s preface. Pt. 2. The ballad of Santa Zita. 3. Ballad of the madonna and the rich man.-The story of Paolina. - Notes on the priest's office by the ed.

Pike, Gustavus D. The singing campaign for ten thousand pounds, or The jubilee singers

in Great Britain; with an app. containing slave songs. Rev. ed. N. Y. 1875. D. 789:1

5. Instrumental music.

Engel, C: Musical instruments. Ill. [South Kensington museum art hand-books.] Lond. n. d. D.

785:2 Stainer, J: The music of the Bible, with an ac count of the development of modern musical instruments from ancient types. Lond. n. d. D. 785:1 Viard-Louis, Jenny. Music and the piano. Tr. from the french by mrs. Warington Smyth. Lond. 1884. D. 786: 7 Rimbault, E: Francis. The pianoforte, its origin, progress and construction; with some account of instruments of the same class which preceded it, viz. the clavichord, the virginal, the spinet, the harpsichord, etc. Added, A selection of interesting specimens of music composed for keyed-stringed instruments by Blitheman, Byrd, Bull, Frescobaldi, Dumont, Chambonnières, Lully, Purcell, Muffat, Couperin, Kuhnau, Scarlatti, Seb. Bach, Mattheson, Handel, C. P. Emanuel Bach, etc. Lond. 1860. F. 786: R8 Fillmore, J: Comfort. Pianoforte music; its history, with biographical sketches and critical estimates of its greatest masters. Chicago. 1883. D.

786:5 Kullak, Adolph. Die ästhetik des klavierspiels. 2te umgearb. aufl., herausg. von Hans Bischoff. Berlin. 1876. D. 786:6 Schmitt, Hans. Das pedal des clavieres; seine beziehung zum clavierspiel und unterricht, zur composition und akustik; vier vorlesungen gehalten am Wiener Conservatorium der musik. Wien. 1880. O. 781:20 Spencer, C: Child. The rudiments of the art of playing the pianoforte, with numerous exercises and lessons written and selected from the best masters. [Weale's ser.] Lond. 1875. D. 786:2

Taylor, Franklin. Primer of pianoforte playing, with numerous examples. (Science primers.) N. Y. 1878. S. 786:3

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Fay, Amy. Music-study in Germany; from [her] home correspondence, ed. by the author of 'Co-operative housekeeping." Chicago. 1881. D. 786:1 Dickson, W. E. Practical organ-building. 2d ed. rev., with add. [Weale's ser.] Lond. 1882. D. 786:4 Hart, G: The violin; its famous makers and their imitators. Ill. Lond. 1880. D. 787:1 - The violin and its music, with several engraved portraits on steel of eminent violinists, whose style, both in playing and in composition, may be regarded as representative. Lond. 1881. O. 787+P2

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8. Amusements.

1. Entertainments.

Frost, T: The old showmen and the old London fairs. New ed. [The wanderer's lib.] Lond.

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Circus life and circus celebrities. New ed. [The wanderer's lib.] Lond. 1881. D. 791: 1 The lives of the conjurors. New ed. [The

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