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All gross transgressions of this kind originate, doubtless, in a feeling natural and honourable to the human mind, viz. the pleasure which it receives from distinct ideas, and from the perception of order, regularity, and contrivance. Now, unpractised minds receive these impressions only from objects that are divided from each other by strong lines of demarcation; hence the delight with which such minds are smitten by formality and harsh contrast. But I would beg of those who are eager to create the means of such gratification, first carefully to study what already exists; and they will find, in a country so lavishly gifted by Nature, an abundant variety of forms marked out with a precision that will satisfy their desires. Moreover, a new habit of pleasure will be formed opposite to this, arising out of the perception of the fine gradations by which in Nature one thing passes away into another, and the boundaries that constitute individuality disappear in one instance only to be revived elsewhere under a more alluring form. The hill of Dunmallet, at the foot of Ullswater, was once divided into different portions, by avenues of fir-trees, with a green and almost perpendicular lane descending down the steep hill through each avenue ;—contrast this quaint appearance with the image of the same hill overgrown with self-planted wood,-each tree springing up in the situation best suited to its kind, and with that shape which the situation constrained or suffered it to take. What endless melting and playing into each other of forms and colours does the one offer to a mind at once attentive and active; and how insipid and lifeless, compared with it, appear those parts of the former exhibition with which a child, a peasant perhaps, or a citizen unfamiliar with natural imagery, would have been most delighted!

The disfigurement which this country has undergone, has not, however, proceeded wholly from the common feelings of human nature which have been referred to as the primary sources of bad taste in rural imagery;

another cause must be added, that has chiefly shown itself in its effect upon buildings. I mean a warping of the natural mind occasioned by a consciousness that, this country being an object of general admiration, every new house would be looked at and commented upon either for approbation or censure. Hence all the deformity and ungracefulness that ever pursue the steps of constraint or affectation. Persons, who in Leicestershire or Northamptonshire would probably have built a modest dwelling like those of their sensible neighbours, have been turned out of their course; and, acting a part, no wonder if, having had little experience, they act it ill. The craving for prospect, also, which is immoderate, particularly in new settlers, has rendered it impossible that buildings, whatever might have been their architecture, should in most instances be ornamental to the landscape: rising as they do from the summits of naked hills in staring contrast to the snugness and privacy of the ancient houses.

No man is to be condemned for a desire to decorate his residence and possessions; feeling a disposition to applaud such an endeavour, I would show how the end may be best attained. The rule is simple; with respect to grounds-work, where you can, in the spirit of Nature, with an invisible hand of art. Planting, and a removal of wood, may thus, and thus only, be carried on with good effect; and the like may be said of building, if Antiquity, who may be styled the co-partner and sister of Nature, be not denied the respect to which she is entitled. I have already spoken of the beautiful forms of the ancient mansions of this country, and of the happy manner in which they harmonise with the forms of Nature. Why cannot such be taken as a model, and modern internal convenience be confined within their external grace and dignity. Expense to be avoided, or difficulties to be overcome, may prevent a close adherence to this model; still, however, it might be followed to a certain degree in the style of architecture and in

the choice of situation, if the thirst for prospect were mitigated by those considerations of comfort, shelter, and convenience, which used to be chiefly sought after. But should an aversion to old fashions unfortunately exist, accompanied with a desire to transplant into the cold and stormy North, the elegances of a villa formed upon a model taken from countries with a milder climate, I will adduce a passage from an English poet, the divine Spenser, which will show in what manner such a plan may be realised without injury to the native beauty of these scenes.

Into that forest farre they thence him led,
Where was their dwelling in a pleasant glade
With MOUNTAINS round about environed,
And MIGHTY WOODS which did the valley shade,
And like a stately theatre it made,

Spreading itself into a spacious plaine;

And in the midst a little river plaide

Emongst the puny stones which seem'd to 'plaine

With gentle murmure that his course they did restraine.

Beside the same a dainty place there lay,
Planted with mirtle trees and laurels green,
In which the birds sang many a lovely lay

Of God's high praise, and of their sweet loves teene,

As it an earthly paradise had beene;

In whose enclosed shadow there was pight

A fair pavillion, scarcely to be seen,

The which was all within most richly dight,

That greatest princes living it mote well delight.1

Houses or mansions suited to a mountainous region, should be “not obvious, not obtrusive, but retired ”; and the reasons for this rule, though they have been little adverted to, are evident. Mountainous countries, more frequently and forcibly than others, remind us of the power of the elements, as manifested in winds, snows, and torrents, and accordingly make the notion of exposure very unpleasing; while shelter and comfort are in pro

1 See The Faërie Queene, book iii. s. 39, etc.—ED.

portion necessary and acceptable. Far-winding vallies difficult of access, and the feelings of simplicity habitually connected with mountain retirements, prompt us to turn from ostentation as a thing there eminently unnatural and out of place. A mansion, amid such scenes, can never have sufficient dignity or interest to become principal in the landscape, and to render the mountains, lakes, or torrents, by which it may be surrounded, a subordinate part of the view. It is, I grant, easy to conceive, that an ancient castellated building, hanging over a precipice or raised upon an island, or the peninsula of a lake, like that of Kilchurn Castle, upon Loch Awe, may not want, whether deserted or inhabited, sufficient majesty to preside for a moment in the spectator's thoughts over the high mountains among which it is embosomed; but its titles are from antiquity—a power readily submitted to upon occasion as the vicegerent of Nature it is respected, as having owed its existence to the necessities of things, as a monument of security in times of disturbance and danger long passed away,- as a record of the pomp and violence of passion, and a symbol of the wisdom of law; it bears a countenance of authority, which is not impaired by decay.

Child of loud-throated war, the mountain-stream
Roars in thy hearing; but thy hour of rest
Is come, and thou art silent in thy age! 1

To such honours a modern edifice can lay no claim; and the puny efforts of elegance appear contemptible, when, in such situations, they are obtruded in rivalship with the sublimities of Nature. But, towards the verge of a district like this of which we are treating, where the mountains subside into hills of moderate elevation, or in an undulating or flat country, a gentleman's mansion may, with propriety, become a principal feature in the

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1 See in the Poetical Works," vol. ii. p. 401, Memorials of a Tour in Scotland, in 1803.-ED.

landscape; and, itself being a work of art, works and traces of artificial ornament may, without censure, be extended around it, as they will be referred to the common centre, the house; the right of which to impress within certain limits a character of obvious ornament will not be denied, where no commanding forms of Nature dispute it, or set it aside. Now, to a want of the perception of this difference, and to the causes before assigned, may chiefly be attributed the disfigurement which the Country of the Lakes has undergone, from persons who may have built, demolished, and planted, with full confidence, that every change and addition was or would become an improvement.

The principle that ought to determine the position, apparent size, and architecture of a house, viz. that it should be so constructed, and (if large) so much of it hidden, as to admit of its being gently incorporated into the scenery of Nature-should also determine its colour. Sir Joshua Reynolds used to say, “If you would fix upon the best colour for your house, turn up a stone, or pluck up a handful of grass by the roots, and see what is the colour of the soil where the house is to stand, and let that be your choice." Of course, this precept given in conversation, could not have been meant to be taken literally. For example, in Low Furness, where the soil, from its strong impregnation with iron, is universally of a deep red, if this rule were strictly followed, the house also must be of a glaring red; in other places it must be of a sullen black; which would only be adding annoyance to annoyance. The rule, however, as a general guide, is good: and, in agricultural districts, where large tracts of soil are laid bare by the plough, particularly if (the face of the country being undulating) they are held up to view, this rule, though not to be implicitly adhered to, should never be lost sight of ;—the colour of the house ought, if possible, to have a cast or shade of the colour of the soil. The principle is, that the house must harmonise with the surrounding landscape: accordingly,

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