Pennons and flags defaced and stain'd, That blackening streaks of blood retain'd, With otter's fur and seals unite, XXVIII. The wandering stranger round him gazed, She sigh'd, then smiled and took the word; "You see the guardian champion's sword; As light it trembles in his hand, As in my grasp a hazel wand; My sire's tall form might grace the part But in the absent giant's hold Are women now, and menials old." XXIX. The mistress of the mansion came, Mature of age, a graceful dame; 1 See Appendix, Note P. To whom, though more than kindred knew, 1 MS. To whom, though more remote her claim, Young Ellen gave a mother's name. That hospitality could claim, Though all unask'd his birth and name.1 Which his brave sires, from age to age, XXX. Fain would the Knight in turn require The name and state of Ellen's sire, That courts and cities she had seen; 1 The Highlanders, who carried hospitality to a punctilious excess, are said to have considered it as churlish, to ask a stranger his name or lineage, before he had taken refreshment. Feuds were so frequent among them, that a contrary rule would in many cases have produced the discovery of some circumstance, which might have excluded the guest from the benefit of the assistance he stood in need of. 2 MS.-Well show'd the mother's easy mien. Ellen, though more her looks display'd' In speech and gesture, form and face, Turn'd all enquiry light away :— "Weird women we! by dale and down We dwell, afar from tower and town. 'MS.-Ellen, though more her looks betray'd The mother heard with silence grave. 2 They (meaning the Highlanders) delight much in music, but chiefly in harps and clairschoes of their own fashion. The strings of the clairschoes are made of brass wire, and the strings of the harps of sinews; which strings they strike either with their nayles, growing long, or else with an instrument appointed for that use. They take great pleasure to decke their harps and clairschoes with silver and precious stones; the poor ones that cannot attayne hereunto, decke them with christall. They sing verses prettily compound, XXXI. Song. "Soldier, rest! thy warfare o'er, Sleep the sleep that knows not breaking: Days of danger, nights of waking. In our isle's enchanted hall, Hands unseen thy couch are strewing, Fairy strains of music fall, Every sense in slumber dewing. There is not almost They speak the ancient contayning (for the most part) prayses of valiant men. any other argument, whereof their rhymes intreat. French language altered a little.1—The harp and clairschoes are now only heard of in the Highlands in ancient song. At what period these instruments ceased to be used, is not on record; and tradition is silent on this head. But, as Irish harpers occasionally visited the Highlands and Western Isles till lately, the harp might have been extant so late as the middle of the present century. Thus far we know, that from remote times down to the present, harpers were received as welcome guests, particularly in the Highlands of Scotland; and so late as the latter end of the sixteenth century, as appears by the above quotation, the harp was in common use among the natives of the Western Isles. How it happened that the noisy and unharmonious bagpipe banished the soft and expressive harp, we cannot say; but certain it is, that the bagpipe is now the only instrument that obtains universally in the Highland districts.- Campbell's Journey through North Britain. Lond. 1808, 4to, I. 175. Mr. Gunn, of Edinburgh, has lately published a curious Essay upon the Harp and Harp Music of the Highlands of Scotland. That the instrument was once in common use there, is most certain. Cleland numbers an acquaintance with it among the few accomplishments which his satire allows to the Highlanders : "In nothing they're accounted sharp, Except in bagpipe or in harp." 1 Vide "Certayne Matters concerning the Realme of Scotland, &c., as they were Anno Domini 1597. Lond. 1603." 4to. |