Fabricating Lives: Explorations in American AutobiographyKnopf Doubleday Publishing Group, 2013 M04 3 - 400 páginas How does the autobiographer want us to perceive him? How do we penetrate the memoirist’s strategies and subterfuges—sometimes conscious, usually—brilliant—and discover the real person screened behind them? In this fresh and provocative approach to the reading of autobiography, Herbert Leibowitz explores the self-portraits of eight Americans whose lives span almost two centuries and encompass a stunning range of personality and circumstances: Benjamin Franklin, Louis Sullivan, Jane Addams, Emma Goldman, Gertrude Stein, William Carlos Williams, Richard Wright, and Edward Dahlberg. In pursuit of clues to both the human essence and the literary artifice of each, he examines their styles (Franklin’s plain talk and “possum’s wit,” Sullivan’s “gilded abstractions,” Stein’s “gossipy ventriloquism,” Williams’s “grumpy clowning” and foxy innocence), their metaphors, and their choices of incident, looking beyond their visions of themselves to their true identities. In American autobiography particularly Leibowitz finds an extraordinary medley of voices—from the balanced objectivity of Addams and the heated oratory of Goldman, as each encounters the promises and failures of the democratic ideal, to the uneasy self-consciousness of Wright, reflecting the tensions of growing up in a world he did not trust, and the baroque contrivances of Dahlberg, who painted himself in mythic proportions on the American canvas. As he guides us through the labyrinths and mazes of these self-histories, Leibowitz relates the material to a wide cross section of the American experience and helps to interpret our history. His engrossing and highly original book is both a contribution to biographical criticism and a vivid recapturing of some remarkable American lives. |
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... Toklas on a 1934 US. visit (Culver Pictures) William Carlos Williams, 1956 (John D. Schifl) Richard Wright, 1945 (AP/Wide World Photos) Edward Dahlberg, 1960 (Jonathan Williams) Acknowledgments ANYBODY WHO EMBARKS on a study Of ...
... Toklas on a 1934 US. visit (Culver Pictures) William Carlos Williams, 1956 (John D. Schifl) Richard Wright, 1945 (AP/Wide World Photos) Edward Dahlberg, 1960 (Jonathan Williams) Acknowledgments ANYBODY WHO EMBARKS on a study Of ...
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... Toklas. My students at the University of Illinois, The College of Staten Island, and the CUNY Graduate Center who sat in classes and seminars about American autobiography have influenced and shaped my ideas and interpretations. I would ...
... Toklas. My students at the University of Illinois, The College of Staten Island, and the CUNY Graduate Center who sat in classes and seminars about American autobiography have influenced and shaped my ideas and interpretations. I would ...
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Explorations in American Autobiography Herbert Leibowitz. Toklas and gave me the benefits of his deep knowledge of Stein's works. Suzanne Fox's canny sense of structure helped me redesign the Preface, the style chapter, and especially ...
Explorations in American Autobiography Herbert Leibowitz. Toklas and gave me the benefits of his deep knowledge of Stein's works. Suzanne Fox's canny sense of structure helped me redesign the Preface, the style chapter, and especially ...
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... Toklas and Because I Was Flesh, with the dangerous idea that we can dispose of history altogether, history enters their autobiographies through back doors or on parapets like a cat burglar: World War I and the Great Depression are dark ...
... Toklas and Because I Was Flesh, with the dangerous idea that we can dispose of history altogether, history enters their autobiographies through back doors or on parapets like a cat burglar: World War I and the Great Depression are dark ...
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... Toklas, despite acknowledging in passing the sorrows and “tragic unhappiness” of great artists, cares little for the “dynamics of the soul” and much for the social pleasures of her Parisian milieu. Not all autobiographers embark on a ...
... Toklas, despite acknowledging in passing the sorrows and “tragic unhappiness” of great artists, cares little for the “dynamics of the soul” and much for the social pleasures of her Parisian milieu. Not all autobiographers embark on a ...
Contenido
The Autobiography of Benjamin | |
Louis Sullivans | |
Jane Addamss Twenty Years at Hull | |
Emma Goldmans Living My Life | |
Gertrude Steins | |
The Autobiography of William | |
Richard Wrights Black | |
Edward Dahlbergs Because I | |
Notes | |
Otras ediciones - Ver todas
Fabricating Lives: Explorations in American Autobiography Herbert A. Leibowitz Vista previa limitada - 1991 |
Términos y frases comunes
Addams’s Alexander Berkman American Hunger anarchists architecture artistic authority Autobiography of Alice beauty Benjamin Franklin Black Boy boy’s Chicago child childhood conflict consciousness culture death democracy democratic Douglass dream Edward Dahlberg Emma Goldman emotional essay experience eyes faith father fear feelings felt flesh flowers Frank Lloyd Wright friends Gertrude Stein God’s heart Hull-House human Ibid ideal ideas identity imagination immigrant influence James James’s Jane Addams John letter Library of America literary Living Lizzie Louis Sullivan man’s memory mind moral mother narrative nature never one’s paragraph Paris passion phrase poem poet political Pound prose Puritan reader reflection revolutionary Richard Richard Wright says seems sense sentences sexual social society son’s soul spirit style thing Thomson thought Toklas University Press Virgil Thomson voice Vollard William Carlos Williams Williams’s woman women words Wright writing York young