Modernism, Mass Culture, and the Aesthetics of ObscenityCambridge University Press, 2000 M07 27 - 244 páginas Based on extensive archival work, the book includes examples of period art and illustrations which eloquently demonstrate the shift in public taste and tolerance."--BOOK JACKET. |
Contenido
Civil society aesthetics and pornography in the eighteenth century | 1 |
Victorian obscenities the new reading public pornography and Swinburnes sexual aesthetic | 37 |
The mastery of form Beardsley and Joyce | 72 |
Being disinterested D H Lawrence | 136 |
Modernist criticism the battle for culture and the accommodation of the obscene | 165 |
Notes | 195 |
| 228 | |
| 238 | |
Otras ediciones - Ver todas
Modernism, Mass Culture, and the Aesthetics of Obscenity Allison Pease Sin vista previa disponible - 2009 |
Términos y frases comunes
artists Aubrey Beardsley Beardsley's beautiful Bloom bodily Books bourgeois British classical cognitive Connie Connie's consciousness consumption created D. H. Lawrence desire discourse disinterested dominant eighteenth century elite English erotic Essays explicit sexual F. R. Leavis Fanny Hill figure flagellation Freud high art high-cultural I. A. Richards Ibid idea ideal Ideology impulses individual interest James Joyce Joyce's judgment Kant's Kantian Lady Chatterley's Lover language Lawrence's Leavis's Literary Criticism literature London mass culture Mellors middle-class mind mode modern modernist criticism moral narrative nineteenth century novel object obscene parody penis pleasure poems poetry political porno pornographic tropes pornography public sphere readers reading response Richards's Salome sensation sense sensibility sensual sensuous sexology sexual body sexual representation Shaftesbury and Kant social society sublime suggests Swinburne Swinburne's T. S. Eliot taste Theory thetic tion tradition of Shaftesbury trans tropes twentieth century Ulysses University Press Victorian voyeur woman women York