Chronicles of Disorder: Samuel Beckett and the Cultural Politics of the Modern Novel

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SUNY Press, 2000 M09 28 - 194 páginas
Offering a striking new interpretation of Beckett's major fiction, Chronicles of Disorder demonstrates how Beckett's career as a writer developed in relation to the most enduring twentieth-century beliefs about the social function of literature, language, and narrative. Weisberg explores Beckett's emergence as a major novelist and intertwines sharp analyses of the relations between narrative form and social content in the key works of the Beckett canon. He considers how and why Beckett's work has become ahistorically--and incorrectly--subsumed into poststructuralist-inspired claims about language and narrative ideology, and he uses Beckett as a case study for tracing out the genesis of the opposition of "autonomous" and "committed" art, and how this opposition influenced the canonization of modernism in the 1950s and 1960s.
 

Contenido

Entering the Literary Field
10
Juxtaposition and Ethical Judgment in Dante and the Lobster
17
Versions of Modernism
24
Contact with the Outside World
28
Contact with Outer Reality in Murphy
32
Novel of Resistance or Accident of War?
41
Rewriting Modernism in the Nouvelles
53
Writing and Begging in The End
56
Molloy two Moran the Agent
102
Strong Enough at Last to Act No More
107
Agent Voice Purpose
110
Beckett and the Postwar Critique of Narrative
116
A Contest of Nightmares The Unnamable and 1984
124
The Flaneur in a Jar
131
The Reinvention of the New and the Aesthetic of Failure
137
Orwells Inside the Whale and 1984
149

From the Metropolis to the Text
64
Author or Writing Subject? Beckett and Postmodern Fiction
73
Molloy one Molloy the Subject
83
The Production of the Story
88
Molloy and the Police
91
Subjectivity as a Modernist Universal
97
Engagement Ecriture Autonomy The Displacement of Politics in Postwar Critical Theory
161
NOTES
169
WORKS CITED
185
INDEX
191
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Página 3 - The expression that there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.
Página 4 - Don't you see that the whole aim of Newspeak is to narrow the range of thought? In the end we shall make thoughtcrime literally impossible, because there will be no words in which to express it.

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David Weisberg is Assistant Professor of English at Wesleyan University.

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