Reading, Writing, and Romanticism: The Anxiety of ReceptionOUP Oxford, 2000 M10 5 - 397 páginas Reading, Writing, and Romanticism bridges a perceived gulf between materialist and idealist approaches to the reader. Informed by an historical awareness of Romantic hermeneutics and its later developments (as well as by an understanding of the circumstances conditioning the production and consumption of literature in this period), the book explores how readers are imagined, addressed, figured and theorised in Romantic poetry and criticism (1790-1830). Models of canon-formation, intertextuality and reader-response are examined alongside the existence of reading-coteries, the social practices of reading, and reforms in copyright. Consideration is given to the philosophical and ideological influences which bear upon the status of reading at this time, as well as to the educational theories and practices which underpin reading-habits. Non-canonical writers are included, and special attention is given to the emergence of women's poetry - its repercussions for the poetics of reception. |
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Página xv
... Friends 61 IV . Models of Reader - Response 66 V. Companionable Forms : Conversation as a Poetic Ideal 72 VI . Reading and Enchantment 75 VII . The Construction of an Ideal Reader 80 VIII . The Rhetoric of Mystery 85 3. CASE STUDY ( 2 ) ...
... Friends 61 IV . Models of Reader - Response 66 V. Companionable Forms : Conversation as a Poetic Ideal 72 VI . Reading and Enchantment 75 VII . The Construction of an Ideal Reader 80 VIII . The Rhetoric of Mystery 85 3. CASE STUDY ( 2 ) ...
Página xvii
... From Sheridan to Thelwall 339 III . The Politics of Reading Aloud 355 IV . Speech - Writing , Prose - Poetry , Public - Private 360 Bibliography Index 372 391 Abbreviations BL CC CPW EY Friend Gill Coleridge , S. Contents xvii.
... From Sheridan to Thelwall 339 III . The Politics of Reading Aloud 355 IV . Speech - Writing , Prose - Poetry , Public - Private 360 Bibliography Index 372 391 Abbreviations BL CC CPW EY Friend Gill Coleridge , S. Contents xvii.
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Contenido
THE SENSE OF AN AUDIENCE | 3 |
Authorship and the Public Sphere | 13 |
Reputation | 30 |
Reading Consumption | 39 |
COLERIDGE | 49 |
WORDSWORTH 2 2 2 0 | 91 |
Ballads 1800 | 117 |
An Epitaphic | 124 |
FEMINIZING THE POETICS OF RECEPTION | 224 |
Jewsbury Hemans and Landon | 251 |
Copyright and the Paradox of Romantic Authorship | 269 |
CanonFormation Connectiveness and Recuperation | 289 |
REPETITION | 298 |
Hermeneutic | 311 |
Women Readers and the Dangers of Sympathetic | 317 |
AN AMBIGUOUS | 333 |
ANNA BARBAULD | 134 |
Interventions and Trespasses | 145 |
COMPETITION AND COLLABORATION | 173 |
Envy Irony and the Rivalry of Genres | 215 |
From Sheridan to Thelwall | 339 |
372 | |
391 | |
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Términos y frases comunes
addressed aesthetic Anna Letitia Barbauld anonymous anxiety of reception argued audience Barbauld become Biographia canon century Christabel claims Clarendon Press Coleridge Coleridge's contemporary creative criticism culture defence discourse Dorothy Dorothy Wordsworth echo Edinburgh Edinburgh Review English essay fame fear feelings female feminine figure friends gender genius genre Hazlitt hermeneutic hierarchy of genres Ibid ideal identity ideology imagination John Keats Kubla Khan Lamb language Lectures letter literary literature London Lyrical Ballads Mary Shelley Mary Wollstonecraft masculine metaphor Milton mind narrative novels parody past Peacock period Peter Bell poem poet poet's poetics of reception poetry political popular Preface Priestley published Quincey quoted readers reading aloud reading-public reviewers rhetoric role Romantic Romanticism sense Shakespeare spirit status sublime suggests sympathy taste theory tion Tom Paulin tradition verse voice vols Warrington Academy William William Wordsworth Wollstonecraft woman women writers words Wordsworth Prose writing-reading