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She took the picture in silence, and for a long moment stared down at the soft little face, so fearless, so confident and gay, that smiled appealingly back at her. Then she did something astonishing, something which seemed to him wholly un-English, and yet he thought it the sweetest thing he had ever seen. Cupping her strong hands about the picture with a quick protectiveness, she suddenly raised it to her lips, and kissed it lightly. "O little girl!" she cried, "I hope you will be very happy!"

The little involuntary act, so tender, so sisterly and spontaneous, touched the Virginian extremely.

"Thanks, awfully," he said unsteadily. "She'll think a lot of that, just as I do and I know she'd wish you the same."

She made no reply to that, and as she handed the picture back to him, he saw that her hands were trembling, and he had a sudden conviction that, if she had been Sally Berkeley, her eyes would have been full of tears. As she was Sybil Gaylord, however, there were no tears there, only a look that he never forgot. The look of one much older, protective, maternal almost, and as if she were gazing back at Sally Berkeley and himself from a long way ahead on the road of life. He supposed it was the way most English people felt nowadays. He had surprised it so often on all their faces, that he could not help speaking of it.

"You all think we Americans are awfully young and raw, don't you?" he don't you?" he questioned.

"Oh, no, not that," she deprecated. "Young perhaps for these days, yes-but it is more that you that your country is so-so unsuffered. And we don't want you to suffer!" she added quickly.

Yes, that was it! He understood now, and, heavens, how fine it was! Old England was wounded deep-deep. What she suffered herself she was too proud to show; but out of it she wrought a great maternal care for the newcomer. Yes, it was fine-he hoped his country would understand.

Miss Gaylord rose. "There are Gerald and father looking for you,” she said, "and I must go now.' She held out her hand. "Thank you for letting me see her picture, and for everything you said about Captain Sherwood-for everything remember-I want you to remember."

With a light pressure of her fingers she was gone, slipping away through the shrubbery, and he did not see her again.

IV

So he came to his last morning at Bishopsthorpe; and as he dressed, he wished it could have been different; that he were not still conscious of that baffling wall of reserve between himself and Chev's people, for whom, despite all, he had come to have a real affection.

In the breakfast-room he found them all assembled, and his last meal there seemed to him as constrained and difficult as any that had preceded it. It was over finally, however, and in a few minutes he would be leaving.

"I can never thank you enough for the splendid time I've had here," he said as he rose. "I'll be seeing Chev to-morrow, and I'll tell him all about everything."

Then he stopped dead. With a smothered exclamation, old Sir Charles had stumbled to his feet, knocking over his chair, and hurried blindly out of the room; and Gerald said, "Mother!" in a choked appeal.

As if it were a signal between them Lady Sherwood pushed her chair back a little from the table, her long delicate fingers dropped together loosely in her lap; she gave a faint sigh as if a restraining mantle slipped from her shoulders, and, looking up at the youth before her, her fine pale face lighted with a kind of glory, she said, "No, dear lad, no. You can never tell Chev, for he is gone." "Gone!" he cried.

"Yes," she nodded back at him, just above a whisper; and now her face quivered, and the tears began to rush down her cheeks.

"Not dead!" he cried. "Not Chev

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not that! O my God, Gerald, not that!"

"Yes," Gerald said. "They got him two days after you left."

It was so overwhelming, so unexpected and shocking, above all so terrible, that the friend he had so greatly loved and admired was gone out of his life forever, that young Cary stumbled back into his seat, and, crumpling over, buried his face in his hands, making great uncouth gasps as he strove to choke back his grief.

Gerald groped hastily around the table, and flung an arm about his shoulders. "Steady on, dear fellow, steady," he said, though his own voice broke.

"When did you hear?" Cary got out at last.

"We got the official notice just the day before you came-and Withers has written us particulars since."

"And you let me come in spite of it! And stay on, when every word I said about him must have have fairly crucified each one of you! Oh, forgive me! forgive me!" he cried distractedly. He saw it all now; he understood at last. It was not on Gerald's account that they could not talk of flying and of Chev, it was because-because their hearts were broken over Chev himself. "Oh, forgive me!" he gasped again.

"Dear lad, there is nothing to forgive," Lady Sherwood returned. "How could we help loving your generous praise of our poor darling? We loved it, and you for it; we wanted to hear it, but we were afraid. We were afraid we might break down, and that you would find out."

The tears were still running down her cheeks. She did not brush them away ; she seemed glad to have them there at last.

now;

Sinking down on his knees, he caught her hands. "Why did you let me do such a horrible thing?" he cried. "Couldn't you have trusted me to understand? Couldn't you see I loved him just as you did-No, no!" he broke down humbly. "Of course I couldn't love him as his own people did. But you must have seen how I felt about him-how I

admired him, and would have followed him anywhere-and of course if I had known, I should have gone away at once."

"Ah, but that was just what we were afraid of," she said quickly. "We were afraid you would go away and have a lonely leave somewhere. And in these days a boy's leave is so precious a thing that nothing must spoil it-nothing," she reiterated; and her tears fell upon his hands like a benediction. "But we didn't do it very well, I'm afraid," she went on presently, with gentle contrition. "You were too quick and understanding; you guessed there was something wrong. We were sorry not to manage better," she apologized.

"Oh, you wonderful, wonderful people!" he gasped. "Doing everything for my happiness, when all the time-all the time

His voice went out sharply, as his mind flashed back to scene after scene: to Gerald's long body lying quivering on the grass; to Sybil Gaylord wishing Sally Berkeley happiness out of her own tragedy; and to the high look on Lady Sherwood's face. They seemed to him themselves, and yet more than themselves -shining bits in the mosaic of a great nation. Disjointedly there passed through his mind familiar words-"these are they who have washed their garments-having come out of great tribulation." No wonder they seemed older.

"We-we couldn't have done it in America," he said humbly.

He had a desperate desire to get away to himself; to hide his face in his arms, and give vent to the tears that were stifling him; to weep for his lost friend, and for this great heartbreaking heroism of theirs.

"But why did you do it?" he persisted. "Was it because I was his friend?"

"Oh, it was much more than that," Gerald said quickly. "It was a matter of the two countries. Of course, we jolly well knew you didn't belong to us, and didn't want to, but for the life of us we couldn't help a sort of feeling that vou did. And when America was in at

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Since 1915 Wilbur Daniel Steele (1886- ), a North Carolinian by birth, has been publishing with regularity short stories of unusual merit. While his impressionistic style and realistic detail seem to ally him with the modern Realists, the conscious design of his stories raises them as works of art above the productions of most of his contemporaries. Vivid projection of character, exceptional facility in motivating plot, and keen sensibility to artistic form characterize his work.

In "Footfalls," which appeared in the Pictorial Review in 1920, the elements of character, plot, and setting are harmoniously blended, that of character predominating. Boaz Negro, with his "unquenchable exuberance" finally triumphant over tragic circumstance, is an unforgettable figure.

THIS is not an easy story; not a road for tender or for casual feet. Better the meadows. Let me warn you, it is as hard as that old man's soul and as sunless as his eyes. It has its inception in catastrophe, and its end in an act of almost incredible violence; between them it tells barely how one long blind can become also deaf and dumb.

He lived in one of those old puritan sea towns where the strain has come down austere and moribund, so that his act would not be quite unbelievable. Except that the town is no longer Puritan and Yankee. It has been betrayed; it has become an outpost of the Portuguese islands.

This man, this blind cobbler himself, was a Portuguese from St. Michael, in the Western Islands, and his name was Boaz Negro.

He was happy. An unquenchable exuberance lived in him. When he arose in the morning he made vast, as it were uncontrollable, gestures with his stout

'Reprinted by courtesy of Wilbur Daniel Steele.

arms. He came into his shop singing. His voice, strong and deep as the chest from which it emanated, rolled out through the doorway and along the street, and the fishermen, done with their morning work and lounging and smoking along the wharfs, said, "Boaz is to work already." Then they came up to sit in the shop.

In that town a cobbler's shop is a club. One sees the interior always dimly thronged. They sit on the benches watching the artisan at his work for hours, and they talk about everything in the world. A cobbler is known by the company he keeps.

Boaz Negro kept young company. He would have nothing to do with the old. On his own head the gray hairs set thickly.

He had a grown son. But the benches in his shop were for the lusty and valiant young, men who could spend the night drinking, and then at three o'clock in the morning turn out in the rain and dark to pull at the weirs, sing songs, buffet one another among the slippery fish in the

boat's bottom, and make loud jokes about the fundamental things, love and birth and death. Harkening to their boasts and strong prophecies his breast heaved and his heart beat faster. He was a large, full-blooded fellow, fashioned for exploits; the flame in his darkness burned higher even to hear of them.

It is scarcely conceivable how Boaz Negro could have come through this much of his life still possessed of that unquenchable and priceless exuberance; how he would sing in the dawn; how, simply listening to the recital of deeds in gale or brawl, he could forget himself a blind man, tied to a shop and a last; easily make of himself a lusty young fellow breasting the sunlit and adventurous tide of life.

He had had a wife, whom he had loved. Fate, which had scourged him with the initial scourge of blindness, had seen fit to take his Angelina away. He had had four sons. Three, one after another, had been removed, leaving only Manuel, the youngest. Recovering slowly, with agony, from each of these recurrent blows, his unquenchable exuberance had lived. And there was another thing quite as extraordinary. He had never done anything but work, and that sort of thing may kill the flame where an abrupt catastrophe fails. Work in the dark. Work, work, work! And accompanied by privation; an almost miserly scale of personal economy. Yes, indeed, he had "skinned his fingers," especially in the earlier years. When it tells most.

How he had worked! Not alone in the daytime, but also sometimes, when orders were heavy, far into the night. It was strange for one, passing along that deserted street at midnight, to hear issuing from the black shop of Boaz Negro the rhythmical tap-tap-tap of hammer on wooden peg.

Nor was that sound all: no man in town could get far past that shop in his nocturnal wandering unobserved. No more than a dozen footfalls, and from the darkness Boaz's voice rolled forth, fraternal, stentorian, "Good night, An

tone!" "Good night to you, Caleb Snow!"

To Boaz Negro it was still broad day. Now, because of this, he was what might be called a substantial man. He owned his place, his shop, opening on the sidewalk, and behind it the dwellinghouse with trellised galleries upstairs and down.

And there was always something for his son, a "piece for the pocket," a dollar-, five-, even a ten-dollar bill if he had "got to have it." Manuel was "a good boy." Boaz not only said this; he felt that he was assured of it in his understanding, to the infinite peace of his heart.

It was curious that he should be ignorant only of the one nearest to him. Not because he was physically blind. Be certain he knew more of other men and of other men's sons than they or their neighbors did. More, that is to say, of their hearts, their understandings, their idiosyncrasies, and their ultimate weight. in the balance-pan of eternity.

His simple explanation of Manuel was that Manuel "wasn't too stout." To others he said this, and to himself. Manuel was not indeed too robust. How should he be vigorous when he never did anything to make him so? He never worked. Why should he work, when existence was provided for, and when there was always that "piece for the pocket"? Even a ten-dollar bill on a Saturday night! No, Manuel "wasn't too stout."

The

In the shop they let it go at that. misssteps and frailties of every one else in the world were canvassed there with the most shameless publicity. But Boaz Negro was a blind man, and in a sense their host. Those reckless, strong young fellows respected and loved him. It was allowed to stand at that. Manuel was "a good boy." Which did not prevent them, by the way, from joining later in the general condemnation of that father's laxity-"the ruination of the boy!"

"He should have put him to work, that's what."

"He should have said to Manuel, 'Look here, if you want a dollar, go earn it first.'

As a matter of fact, only one man ever gave Boaz the advice direct. That was Campbell Wood. And Wood never sat in that shop.

In every small town there is one young man who is spoken of as "rising." As often as not he is not a native, but "from away."

In this town Campbell Wood was that man. He had come from another part of the state to take a place in the bank. He lived in the upper story of Boaz Negro's house, the ground floor now doing for Boaz and the meagre remnant of his family. The old woman who came in to tidy up for the cobbler looked after Wood's rooms as well.

Dealing with Wood, one had first of all the sense of his incorruptibility. A little ruthless perhaps, as if one could imagine him, in defense of his integrity, cutting off his friend, cutting off his own hand, cutting off the very stream flowing out from the wellsprings of human kindness. An exaggeration, perhaps.

He was by long odds the most eligible young man in town; good looking in a spare, ruddy, sandy-haired Scottish fashion; important, incorruptible, "rising." But he took good care of his heart. Precisely that; like a sharp-eyed duenna to his own heart. One felt that here was the man, if ever was the man, who held his destiny in his own hand. Failing, of course, some quite gratuitous and unforeseeable catastrophe.

Not that he was not human, or even incapable of laughter or passion. He was, in a way, immensely accessible. He never clapped one on the shoulder; on the other hand, he never failed to speak. Not even to Boaz.

Returning from the bank in the afternoon, he had always a word for the cobbler. Passing out again to supper at his boarding-place, he had another, about the weather, the prospects of rain. And if Boaz were at work in the dark when he returned from an evening at the Board of

Trade, there was a "Good night, Mr. Negro!"

On Boaz's part, his attitude toward his lodger was curious and paradoxical. He did not pretend to anything less than reverence for the young man's position; precisely on account of that position he was conscious toward Wood of a vague distrust. This was because he was an uneducated fellow.

To the uneducated the idea of large finance is as uncomfortable as the idea of the law. It must be said for Boaz that, responsive to Wood's unfailing civility, he fought against this sensation of dim and somehow shameful distrust.

Nevertheless his whole parental soul was in arms that evening, when, returning from the bank and finding the shop empty of loungers, Wood paused a moment to propose the bit of advice already referred to.

"Haven't you ever thought of having Manuel learn the trade?"

A suspicion, a kind of premonition, lighted the fires of defense.

"Shoemaking," said Boaz, "is good enough for a blind man."

"Oh, I don't know. At least it's better than doing nothing at all."

Boaz's hammer was still. He sat silent, monumental. Outwardly. For once his unfailing response had failed him, "Manuel ain't too stout, you know." Perhaps it had become suddenly inadequate.

He hated Wood; he despised Wood; more than ever before, a hundred fold more, quite abruptly, he distrusted Wood.

How could a man say such things as Wood had said? And where Manuel himself might hear!

Where Manuel had heard! Boaz's other emotions-hatred and contempt and distrust-were overshadowed. Sitting in darkness, no sound had come to his ears, no footfall, no infinitesimal creaking of a floor-plank. Yet by some sixth uncanny sense of the blind he was aware that Manuel was standing in the dusk of the entry joining the shop to the house. Boaz made a Herculean effort. The

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