Sensation and Intuition: Studies in Psychology and Aesthetics

absolute magnitude activity æsthetic appears Aristotle artistic aspects association beauty belief character colour complex conceive conception Concrete Psychology consciousness contrast Darwin definite degree delight discriminative distinct distinctly doctrine doubt effect elements emotional example excitement existence experience expression external fact Fechner feeling fibres force gratification harmony Helmholtz Hence highly composite human mind human voice idea ideal imagination impression impulse individual inference influence instinctive intellectual intensity interval J. S. Mill large number less light melody ment mental millimetres mode moral movements muscular musical form nervous object observation painful past peculiar perception phenomena physiologist pleasure polyphonic possible precise present principle Principles of Psychology processes produce psychological racter reality recognised respect result retina scarcely seems sensation sensibility sentiment simple Spencer spontaneous stimulation subjective supposed supposition susceptible tendency theory thought timbre tion tones upper-tones vague variety vocal volition Voltaire voluntary action Weber's law