The Player's Passion: Studies in the Science of ActingUniversity of Delaware Press, 1985 - 255 páginas This reinterpretation of acting theories in light of the history of science examines acting styles from the seventeenth century to the twentieth century and measures them against prevailing conceptions of the human body and its inner workings. |
Contenido
List of Illustrations | 9 |
Acknowledgments | 19 |
Nature Still But Nature Mechanized | 58 |
Derechos de autor | |
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Términos y frases comunes
acting action actor ancient animal appeared artist authority automatic become believed bodily body brain called cause century character complex concept consciousness continued create creative criticism defined described Diderot direct effect eighteenth-century emerge emotion essay exist experience explain expression eyes face fact feeling FIGURE force Garrick gesture give hand heart Hill human idea imagination impulse inner inspiration John kind less Lewes light living machine matter means mechanical memory mental method mind motion move movement muscles nature nerves nervous notes object observation once organism Paradoxe particular passions performance physical physiology play practice Prepares psychology question reflex represents response rhetorical role scientific seems sensation sense sensibility shape shows soul spirits spontaneous stage Stanislavski suggests theater theatrical theory thing thought tion turn understanding University vibrations vital
Referencias a este libro
Humiliation: And Other Essays on Honor, Social Discomfort, and Violence William Ian Miller Vista previa limitada - 1993 |
From Acting to Performance: Essays in Modernism and Postmodernism Philip Auslander Sin vista previa disponible - 1997 |