Drooping she perches on her wonted spray, -Grahame: British Georgics. But come the more rare such delights to the heart, Voluptuous elegance, the lovely child The brightest sunshine of a glorious state. -West: Garter. The year is overgrown : Summer like a bird hath flown. -Barry Cornwall: To a Friend. In the damp and chilling air The birds are tuneless.-Mackay: Time. And the glossy finches chatter Through the fields and fallows wending, It is sad to walk alone.-Jean Ingelow: Afternoon. Winter cold is coming on; No more now at "evening pale Nor the lark at dewy dawn.—Barry Cornwall: Winter. The wild rose, Fancy, dieth, The sweet bird, Memory, flieth, And leaveth me alone.-Barry Cornwall: Song. The wanderers of heaven Each to his home retires, save those that love -Thomson: Winter. Through the city, Like birds before a storm, the Santons shriek. -Shelley: Hellas. Lo! bird and beast, impress'd by Nature's hand -Mallet: The Excursion. And the birds scream their agony through air. But chief the plumy race, -Byron: Heaven and Earth. The tenants of the sky, its changes speak, Retiring from the downs where all day long They pecked their scanty fare; a blackening train Amorous, in his bower the wailing owl Plies his sad song; the cormorant on high -Thomson: Winter. A winter such as when birds die In the deep forests.-Shelley: Summer and Winter. More dreary cold Than a forsaken bird's nest filled with snow. -Wordsworth: Sonnets. Bare ruined choirs, where late the sweet birds sang. -Shakespeare: Sonnet. Of various plume and chirp, the shiv'ring birds -Grahame: British Georgics. The little noisy songsters on the wing -Mallet: Winter's Day. From hawless thorn to brier the chirping flocks On the haw-clustered thorns, a motley flock So little birds in winter's frost and snow, First on the ground each fairy dream pursue, Hop on the snow-clothed bough, and chirp again, Till, like to me, these victims of the blast, Are glad to seek the place from which they went, -Clare: A Village Ilk happy bird, wee helpless thing, What's come o' thee? Whare wilt thou cower thy chittering wing And close thy e'e? -Burns: Winter Night. The birds sit chittering in the thorn, A' day they fare but sparely.—Burns: Song. Starved birds with tame and gentle wing-Cook: Summer. Tamed by the cruel season, crowd around The winnowing store, and claim the little boon Can find no seed to stop their craving want, Then bend their flight to some low smoking cot, -J. Baillie: Winter's Day. A widow bird sate mourning for her love Upon a wintry bough: 4 The frozen wind crept on above, The freezing stream below.-Shelley: Song. In dealing with individual birds, fowls in particular, the poets are at some disadvantage. The subject possesses all the characteristics which Emerson, Hazlitt, and other essayists aver a poet's subject should not possess. Its very particu larity condemns it. No free heraldic treatment is possible. All the margins are too punctually defined, and most of its details so well known to the world at large, that a poet's digressions from the received importraiture appear to many to be simple errors of innocence. But poets wear large cloaks; and however specious their apparent ignorance of facts, it is impossible to say how much knowledge they may not really be hiding; for, as Rogers asks, "What is not visible to a poet's eye?" If, therefore, in neglecting this or that point in any particular bird's economy, a poet should seem deficient in that observation or spirit of inquiry by which, Faber tells us, "The bonds of sympathy are drawn more close Between the inferior creatures and the heart, or anything else, he cannot generously be charged with any universal want of sympathy with Nature. Crabbe, for instance, was deplorably deficient in his acquaintance with vultures. But no poet knew more about turkeys than he did. Errors and omissions, trivial in themselves, may of course gather bulk and importance by all trending in one direction; but as regards each individually, it should be remembered by the prosaic that poets are given to "headstrong allegories," and that, after all, circumscribed subjects are not fit for poets. Elephants may, if they like, pick up pins, but they derogate from their dignity in doing so. In dealing with birds in general, the poets have a more appropriate theme. "The eagle pinion" of the Muse can sweep in more open sky, and her "eagle eye" cover at a glance more spacious provinces. The feathered tribes therefore pass in review before the poets not only "each after his kind," but massed "by their tribes" "As when the total kind Of birds, in orderly array, on wing, Came summoned over Eden, to receive Their names of Adam;" and, indeed, the poets even exceed the liberal provision of Nature, for they have 66 'Besides, some vocalists without a name.” Describing the fifth day's work of the Creation, Milton, surveying group by group, the "fowl that fly above the earth in the open firmament of heaven," presents in an admirable series of passages the eyrie-building birds of |