A Perilous Secret

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Chatto & Windus, 1904 - 247 páginas
The young man had his coat off by which you might infer it was very hot; but no it was a keen October day and an east wind sweeping down the river. The coat was wrapped tightly round the little girl so that only her fair face with blue eyes and golden hair peeped out; and the young father sat in his shirt sleeves looking down on her with a loving but anxious look.
 

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Página 66 - cried Percy, turning green. Walter had no mercy. " I heard her say once she could make any man love her if she chose." " So she could," said Percy ruefully. " She made me. I had an awful p — p — prejudice against her, but there was no resisting." "Then don't subject me to such a trial. Stick to her like a man." " So I will ; b — but it is am — m — mortifying position. I'ma man of family. We came in with the C — Conquest, and are respected in our c — county ; and here I have to meet...
Página 164 - APOLOGIES. WE must now describe the place to which Hope conducted his daughter, and please do not skip our little description. It is true that some of our gifted contemporaries paint Italian scenery at prodigious length a propos de bottes, and others show in many pages that the rocks and the sea are picturesque objects, even when irrelevant. True, that others gild the ' evening clouds and the western horizon merely to please the horizon and the clouds. But we hold with Pope that " The proper study...
Página 164 - Marmion,' where the castle at eventide, its yellow lustre, its drooping banner, its mailclad warders reflecting the western blaze, the tramp of the sentinel, and his low hummed song, are flung on paper with the broad and telling touch of Rubens, not from an irrelevant admiration of old castles and the setting sun, but because the human figures of the story are riding up to that sun-gilt castle to make it a scene of great words and deeds. Even so, though on a much humbler scale, we describe Hope's...
Página 163 - Then he burst forth into singing. Nobody stammers when he sings. " Shall I, wasting in despair, Sigh because a woman's fair? Shall my cheeks grow pale with care Because another's rosy are? If she be not kind to me, What care I how fair she be...
Página 93 - Miss Mary tried to obey her, but Walter rushed in impetuously, pale, worn, agitated, yet enraptured at the first sight of her, and Mary threw herself round his neck in a moment, and he clasped her fluttering bosom to his beating heart, and this was the natural result of the restraint they had put upon a passionate affection: for what says the dramatist Destouches, improving upon Horace, so that in England his immortal line is given to Moliere. " Chassez le naturel, il revient au galop.

Acerca del autor (1904)

Charles Reade, 1814 - 1884 Charles Reade was born at Ipsden, Oxfordshire, on June 8, 1814. He entered Magdalen College, at Oxford, earning his B.A. in 1835, and became a fellow of the college. He was subsequently dean of arts, and vice-president of Magdalen College, earning his degree of D.C.L. in 1847. His name was entered at Lincoln's Inn in 1836; he was elected Vinerian Fellow in 1842, and was called to the bar in 1843. He kept his fellowship at Magdalen all his life, but after earning his degree, he spent the greater part of his time in London. His first comedy, The Ladies' Battle, appeared at the Olympic Theatre in May 1851. It was followed by Angela (1851), A Village Tale (1852), The Lost Husband (1852), and Gold (1853). But Reade's reputation was made by the two-act comedy, Masks and Faces, in which he collaborated with Tom Taylor. It was produced in November 1852. He made his name as a novelist in 1856, when he produced It's Never Too Late to Mend, a novel written with the purpose of reforming abuses in prison discipline and the treatment of criminals. Five minor novels followed in quick succession, The Course of True Love never did run Smooth in 1857, Jack of all Trades in 1858, The Autobiography of a Thief in 1858, Love Me Little, Love Me Long in 1859, and White Lies in1860, dramatized as The Double Marriage. In 1861, his masterpiece, The Cloister and the Hearth, was published, relating the adventures of the father of Erasmus. At intervals throughout his literary career he sought to gratify his dramatic ambition, hiring a theatre and engaging a company for the representation of his own plays. His greatest success as a dramatist was his last attempt, Drink, an adaptation of Zola's L'Assommoir, produced in 1879. Reade's health began to fail not long after, and he died in April of 1884, leaving behind him a completed novel, A Perilous Secret.

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