Authors and Owners: The Invention of CopyrightHarvard University Press, 1993 M01 1 - 190 páginas The notion of the author as the creator and therefore the first owner of a work is deeply rooted both in our economic system and in our concept of the individual. But this concept of authorship is modern. Mark Rose traces the formation of copyright in eighteenth-century Britain—and in the process highlights still current issues of intellectual property. Authors and Owners is at once a fascinating look at an important episode in legal history and a significant contribution to literary and cultural history. |
Contenido
The Question of Literary Property | 1 |
The Regime of Regulation | 9 |
Making Copyright | 31 |
Derechos de autor | |
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appeal Areopagitica argued argument assertion author's common-law right author's property author's right authorship Becket bill Blackstone book trade Burnet Camden's censorship century Chancery claim Collins common concept concerned copy copyright law copyright term Court of Session cultural production Curll defendant Defoe discourse Doctor Swift Donaldson edition Edmund Curll eighteenth eighteenth-century England English granted guild Hardwicke Hargrave hath House of Lords ideas immaterial individual injunction invention issue James Burrow judges Justice King's Bench Kinkaid labor learning letters limited literary composition literary property literary-property question London booksellers Lord Chancellor Lord Mansfield M. H. Abrams manuscript matter metaphor Millar Milton monopoly Nares nature notion object opinion orator pamphlet Parliament patent peers perpetual copyright person petition plaintiff poem Pope Pope's printers property rights proprietor protection publication regulation reported representation reprinting Scottish Shakespeare Stationers Statute of Anne statutory Tatler Taylor tion Tonson vote William Blackstone Woodfall writing Yates