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The Cronach's cried on Bennachie,
And doun the Don and a',

And hieland and lawland may mournfu' be,
For the sair field o' Harlaw.

They saddled a hundred milk-white steeds,
They hae bridled a hundred black,
With a chaferon of steel on each horse's head,
And a good knight upon his back.

They hadna ridden a mile, a mile,
A mile but barely ten,

When Donald came branking down the brae
Wi' twenty thousand men.

Their tartans they were waving wide,

Their glaives were glancing clear,
The pibrochs rung frae side to side,
Would deafen ye to hear.

The great Earl in his stirrups stood,
That Highland host to see:

"Now here a knight that's stout and good

May prove a jeopardie :

"What wouldst thou do, my squire so gay,

That rides beside my rein,—

Were ye Glenallan's Earl the day,
And I were Roland Cheyne?

"To turn the rein were sin and shame,
To fight were wondrous peril,—
What would you do now, Roland Cheyne,
Were ye Glenallan's Earl?"-

"Were I Glenallan's Earl this tide,
And ye were Roland Cheyne,
The spur should be in my horse's side,
And the bridle upon his mane.

"If they hae twenty thousand blades,
And we twice ten times ten,
Yet they hae but their tartan plaids,
And we are mail-clad men.

"My horse shall ride through ranks sae rude,

As through the moorland fern,

Then ne'er let the gentle Norman blude
Grow cauld for Highland kerne."

He turn'd him right and round again,
Said, Scorn na at my mither;
Light loves I may get mony a ane,
But minnie ne'er anither.

THE LAY

OF

THE LAST MINSTREL

A POEM

IN SIX CANTOS

INTRODUCTION

THE way was long, the wind was cold,
The Minstrel was infirm and old;
His wither'd cheek, and tresses grey,
Seem'd to have known a better day;
The harp, his sole remaining joy,
Was carried by an orphan boy.
The last of all the Bards was he,
Who sung of Border chivalry;
For, welladay! their date was fled,
His tuneful brethren all were dead;
And he, neglected and oppress'd,
Wish'd to be with them, and at rest.
No more on prancing palfrey borne,
He caroll'd light as lark at morn ;
No longer courted and caress'd,
High placed in hall, a welcome guest,

He pour'd, to lord and lady gay,
The unpremeditated lay:

Old times were changed, old manners gone,
A stranger fill'd the Stuarts' throne;
The bigots of the iron time 1

Had call'd his harmless art a crime.
A wandering Harper, scorn'd and poor,
He begg'd his bread from door to door,
And tuned, to please a peasant's ear,
The harp, a king had loved to hear.

He pass'd where Newark's stately tower
Looks out from Yarrow's birchen bower:
The Minstrel gazed with wishful eye—
No humbler resting-place was nigh.
With hesitating step at last,

The embattled portal arch he pass'd,
Whose ponderous grate and massy bar
Had oft roll'd back the tide of war,
But never closed the iron door
Against the desolate and poor.
The Duchess 2 mark'd his weary pace,
His timid mien, and reverend face,
And bade her page the menials tell,
That they should tend the old man well;
For she had known adversity,

Though born in such a high degree;
In pride of power, in beauty's bloom,
Had wept o'er Monmouth's bloody tomb.

When kindness had his wants supplied,
And the old man was gratified,
Began to rise his minstrel pride :
And he began to talk anon,

Of good Earl Francis, dead and gone,
And of Earl Walter, rest him, God!
A braver ne'er to battle rode;

1 Under the Commonwealth an ordinance was passed against itinerant fiddlers or minstrels.

2 Anne, Duchess of Buccleuch and Monmouth, representative of the ancient Lords of Buccleuch, and widow of the unfortunate James, Duke of Monmouth, who was beheaded in 1685.

And how full many a tale he knew,
Of the old warriors of Buccleuch :
And, would the noble Duchess deign
To listen to an old man's strain,

Though stiff his hand, his voice though weak,
He thought even yet, the sooth to speak,
That, if she loved the harp to hear,

He could make music to her ear.

The humble boon was soon obtain'd;
The Aged Minstrel audience gain'd.
But, when he reach'd the room of state,
Where she, with all her ladies, sate,
Perchance he wish'd his boon denied:
For, when to tune his harp he tried,
His trembling hand had lost the ease,
Which marks security to please;
And scenes, long past, of joy and pain,
Came wildering o'er his aged brain—
He tried to tune his harp in vain !
The pitying Duchess praised its chime,
And gave him heart, and gave him time,
Till every string's according glee
Was blended into harmony.

And then, he said, he would full fain
He could recall an ancient strain,
He never thought to sing again.
It was not framed for village churls,
But for high dames and mighty earls;
He had play'd it to King Charles the Good,
When he kept court in Holyrood; 1

And much he wish'd, yet fear'd, to try

The long-forgotten melody.

Amid the strings his fingers stray'd,

And an uncertain warbling made,
And oft he shook his hoary head.

But when he caught the measure wild,
The old man raised his face, and smiled;
And lighten'd up his faded eye,

With all a poet's ecstasy!

1 Charles I. was twice at Holyrood, in 1633 and again in 1641.

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