Gothic: Nineteenth-century Gothic : at home with the vampireFred Botting, Dale Townshend Taylor & Francis, 2004 - 346 páginas This collection brings together key writings which convey the breadth of what is understood to be Gothic, and the ways in which it has produced, reinforced, and undermined received ideas about literature and culture. In addition to its interests in the late eighteenth-century origins of the form, this collection anthologizes path-breaking essays on most aspects of gothic production, including some of its nineteenth, twentieth and twenty-first century manifestations across a broad range of cultural media. |
Contenido
I shall be with you on your weddingnight Lacan and the uncanny | 12 |
Melmoth the Wanderer Gothic on Gothic | 31 |
Hieroglyphics in fire Melmoth the Wanderer | 45 |
That kingdom of gloom Charlotte Bronte the Annuals and the Gothic | 62 |
Heathcliff as vampire | 80 |
The fall of the house of Clennam Gothic conventions in Little Dorrit | 89 |
The precautions of nervous people are infectious Sheridan Le Fanus symptomatic Gothic | 97 |
Carmilla the arts of repression | 117 |
The haunted closet Henry Jamess queer spectrality | 178 |
The Gothic and the otherings of ascendent culture the original Phantom of the Opera | 205 |
Psychopathia sexualis Stevensons Strange Case | 226 |
The inner chambers of all nameless sin The Beetle Gothic female sexuality and Oriental barbarism | 241 |
Kiss me with those red lips gender and inversion in Bram Stokers Dracula | 259 |
Terrors of the night Dracula and degeneration in the late nineteenth century | 287 |
Purity and danger Dracula the Urban Gothic and the late Victorian degeneracy crisis | 304 |
Dracula Stokers response to the New Woman | 331 |
Death femininity and identification a recource to Ligeia | 142 |
Tranced griefs Melvilles Pierre and the origins of the Gothic | 158 |
Términos y frases comunes
appears Arthur become Beetle blood body Borch-Jacobsen Bram Bram Stoker Brontë Carmilla castle characters Charlotte Brontë closet critical cultural dead death demonic desire discourse double Dracula dream English fantastic father fear feel female feminine fiction figure Freud gender ghost Gothic fiction Gothic novel Goths Harker Heathcliff Helsing Helsing's heroine heterosexual homosexual horror human Hyde identity inversion James Jekyll Jolly Corner Jonathan Harker Laura LeFanu Leroux's Lessingham Ligeia literary Little Dorrit London Lucy Lucy Westenra Lucy's male masculine Maturin Melmoth the Wanderer Melville's Mina Harker modern Monçada monster monstrous mother narrative narrator nature nineteenth century object Opera oriental passion penetration perverse Phantom Pierre Pierre's psychoanalysis psychological reader representation represents scene secret seems sense sexual social spectral Stevenson Stoker's story strange suggest supernatural symbolic tale tion traditional uncanny unconscious Urban Gothic vampire Van Helsing victims Victorian woman women writing York