Making Theatre: From Text to PerformanceBloomsbury Academic, 2000 - 236 páginas The reality of a play is in its performance. Making Theatre focuses on the processes by which performance is realized, analyzing three major areas: "Words" and the interpretation of text; "Vision" including scenery, costume and lighting; and "Music" which illustrates the importance of music in all stage action.The forms of theater covered include straight drama, the musical and opera. Taking productions well-known on both sides of the Atlantic, Peter Mudford examines plays by Shakespeare, Chekhov, Pirandello, Beckett, Pinter, Tennessee Williams, Arthur Miller and David Mamet; musicals by Rodgers and Hammerstein, Cole Porter and Stephen Sondheim; and operas by Verdi, Wagner and Berg.This account of what makes theater important and how it works will be invaluable to teachers and students of drama and performance, as well as all those interested in theater as art. |
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Página vi
... Rhythms in Sleep and Physiology The Development of Physiological Rhythms in Infants A Timetable Hormones Circadian Rhythms : Nature or Nurture ? Age and Sleep Rhythms Do Circadian Rhythms Break Down in Old Age ? Dissociation of Rhythms ...
... Rhythms in Sleep and Physiology The Development of Physiological Rhythms in Infants A Timetable Hormones Circadian Rhythms : Nature or Nurture ? Age and Sleep Rhythms Do Circadian Rhythms Break Down in Old Age ? Dissociation of Rhythms ...
Página 132
... rhythms you will see that your right hand also moves up and down in a continuous motion sometimes making contact with the string and sometimes not . Silent Strum ... RHYTHM WITH TAB SUPER EASY GUITAR LESSONS - NOTES , CHORDS & RHYTHMS.
... rhythms you will see that your right hand also moves up and down in a continuous motion sometimes making contact with the string and sometimes not . Silent Strum ... RHYTHM WITH TAB SUPER EASY GUITAR LESSONS - NOTES , CHORDS & RHYTHMS.
Página 141
... rhythms are all three at work, all the time, to create the movement and energy of the film, realized in time. The physical moves emotions, the emotional moves events, and the events move visually and ... Rhythms 141 Reintegrating Rhythms.
... rhythms are all three at work, all the time, to create the movement and energy of the film, realized in time. The physical moves emotions, the emotional moves events, and the events move visually and ... Rhythms 141 Reintegrating Rhythms.
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actors actress audience audience's aware Beckett become Brecht CALIFORNIA/SANTA CRUZ characters Chekhov's cherry orchard colour costume created CRUZ The University dance dark death dialogue director dramatic action dream Edith Evans effect emotions English express feeling film Gielgud Hamlet happens human identity imagination inner John kind Laurence Olivier Lear light listen lives London mask memory Michael move Mozart's murder National Theatre nature never night opera orchestra Othello Paul Scofield Peggy Ashcroft performance Peter Brook Peter Hall physical play play's present production Ralph Richardson reflects rehearsal relationship remains reveal rhythms Richard role Royal Royal National Theatre Royal Shakespeare Company scene sense Shakespeare silence Simon Callow song space speak speech stage design style suggest surface T.S. Eliot theatrical things tion University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA Vanya vision visual Wagner's Waiting for Godot words Wozzeck writing