History of Architecture: From the Earliest Times; Its Present Condition in Europe and the United States; with a Biography of Eminent Architects, and a Glossary of Architectural Terms
Lindsay and Blakiston, 1848 - 426 páginas
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History of Architecture: From the Earliest Times; Its Present Condition in ...
Louisa Caroline Tuthill
Sin vista previa disponible - 2014
admiration ancient apartments appears arch architect architecture base beautiful brick building built called capital castle Cathedral century character church columns completed constructed Corinthian court covered decoration door Doric early edifices effect Egyptian employed England English entablature entrance erected feet feet high figures five four front genius give Gothic grand Grecian Greeks ground hall hand head height houses hundred immense interior Ionic Italy kind length light lofty magnificent marble ment monuments mouldings origin ornamented palace perfect period Persian Plate portico present principal proportions pyramid remains rich Roman Rome roof ruins says sculptured seems shaft side specimens splendid square stand statues stone story streets structures style supported taste temple tower traveller trees United various walls whole wonder
Página 165 - IF thou would'st view fair Melrose aright, Go visit it by the pale moon-light ; For the gay beams of lightsome day Gild, but to flout, the ruins gray.
Página 34 - And Pharaoh commanded the same day the taskmasters of the people, and their officers, saying, Ye shall no more give the people straw to make brick, as heretofore : let them go and gather straw for themselves.
Página 114 - There is a stern round tower of other days, Firm as a fortress, with its fence of stone, Such as an army's baffled strength delays, Standing with half its battlements alone, And with two thousand years of ivy grown, The garland of eternity, where wave The green leaves over all by time o'erthrown ; — 4 What was this tower of strength? within its cave What treasure lay so lock'd, so hid? — A woman's grave.
Página 191 - All musical in its immensities : Rich marbles — richer painting — shrines where flame The lamps of gold — and haughty dome which vies In air with earth's chief structures, though their frame Sits on the firm-set ground — and this the clouds must claim.
Página 18 - All things to man's delightful use : the roof Of thickest covert was inwoven shade, Laurel and myrtle, and what higher grew Of firm and fragrant leaf; on either side Acanthus, and each odorous bushy shrub, Fenced up the verdant wall; each beauteous flower, Iris all hues, roses, and jessamine, Rear'd high their flourish'd heads between, and wrought Mosaic; under foot the violet, Crocus, and hyacinth, with rich inlay Broider'd the ground, more colour'd than with stone Of costliest emblem : other creature...
Página 155 - The moon on the east oriel shone, Through slender shafts of shapely stone, By foliaged tracery combined ; Thou would'st have thought some fairy's hand 'Twixt poplars straight the ozier wand, In many a freakish knot had twined ; Then framed a spell, when the work was done, And changed the willow wreaths to stone.
Página 29 - The cloud-capt towers, the gorgeous palaces, The solemn temples, the great globe itself; * Yea, all which it inherit, shall dissolve, And, like the baseless fabric of a vision, Leave not a wreck behind.
Página 71 - Hither the inhabitants of the capital flocked to witness the consummation of the ceremony. As the sad procession wound up the sides of the pyramid the unhappy victim threw away his gay chaplets of flowers and broke in pieces the musical instruments with which he had solaced the hours of captivity. On the summit he was received by six priests, whose long and matted locks flowed disorderly over their sable robes, covered with hieroglyphic scrolls of mystic import.
Página 201 - ... stairs rather directed to the use of the guest than to the eye of the artificer; and yet as the one chiefly heeded, so the other not neglected; each place handsome without curiosity, and homely without loathsomeness; not so dainty as not to be trod on, nor yet flubbered up with good fellowship; all more lasting than beautiful, but that the consideration of the exceeding lastingness made the eye believe it was exceeding beautiful.