Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
Dentro del libro
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Página 70
... wire be stopped by applying the tip of the finger to the point where it was at first twitched , the same note , produced by these trans- mitted vibrations , will continue to be sustained by the remaining wire or wires . A more ...
... wire be stopped by applying the tip of the finger to the point where it was at first twitched , the same note , produced by these trans- mitted vibrations , will continue to be sustained by the remaining wire or wires . A more ...
Página 110
... wire , we raise or lower its pitch at pleasure . In small instruments two , in larger ones three , wires in unison with each other usually correspond to each note of the key - board . While the instrument is not in action a series of ...
... wire , we raise or lower its pitch at pleasure . In small instruments two , in larger ones three , wires in unison with each other usually correspond to each note of the key - board . While the instrument is not in action a series of ...
Página 111
... wires , and then springs back from them . The wires thus set in motion continue to vibrate until either the sound gradually dies away , or is abruptly extin- guished by the descent of the damper . The action of the two pedals is as ...
... wires , and then springs back from them . The wires thus set in motion continue to vibrate until either the sound gradually dies away , or is abruptly extin- guished by the descent of the damper . The action of the two pedals is as ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires