Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página ix
... vibration , § 8 - Periodic vibrations , SS 9 , 10 - Form of wave and mode of vibration , §§ 11 , 12 - Extension of ... number of its tonic , § 36 . CHAPTER III . ON RESONANCE . Resonating pianoforte wires and.
... vibration , § 8 - Periodic vibrations , SS 9 , 10 - Form of wave and mode of vibration , §§ 11 , 12 - Extension of ... number of its tonic , § 36 . CHAPTER III . ON RESONANCE . Resonating pianoforte wires and.
Página 57
... number of vibrations per second required . It will be convenient , for the sake of shortness , to call the number of vibrations per second , to which any note is due , the vibration - number of the note in question . It is clear , from ...
... number of vibrations per second required . It will be convenient , for the sake of shortness , to call the number of vibrations per second , to which any note is due , the vibration - number of the note in question . It is clear , from ...
Página 67
... vibration - numbers of all the notes within a single octave which belong to the major or minor keys as soon as the vibration - number of the tonic is given . For instance , let middle C of the pianoforte ( vib.-no. 264 ) be the tonic ...
... vibration - numbers of all the notes within a single octave which belong to the major or minor keys as soon as the vibration - number of the tonic is given . For instance , let middle C of the pianoforte ( vib.-no. 264 ) be the tonic ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires