Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página 16
... swing from A ' to A together with a downward swing from A to A. In the clock - pendulum we have , during each second , one complete oscillation , consisting of one swing from left to right and one from right to left . Reference to Fig ...
... swing from A ' to A together with a downward swing from A to A. In the clock - pendulum we have , during each second , one complete oscillation , consisting of one swing from left to right and one from right to left . Reference to Fig ...
Página 28
... swing from left to right , which , in accordance with the direction of the arrow in the figure , we may call its forward swing . The equi- distant vertical straight lines fix the extent of vibration for each oscillating point . The ...
... swing from left to right , which , in accordance with the direction of the arrow in the figure , we may call its forward swing . The equi- distant vertical straight lines fix the extent of vibration for each oscillating point . The ...
Página 72
... swing of the pendulum is the result . When the distance through which the weight travels to and fro , though in itself considerable , is small compared to the length of the supporting string , the time of oscillation is the same for any ...
... swing of the pendulum is the result . When the distance through which the weight travels to and fro , though in itself considerable , is small compared to the length of the supporting string , the time of oscillation is the same for any ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires