Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página 107
... string , are excluded , and only the odd partial - tones , i.e. the 1st , 3rd , 5th , and so on , are heard . In this manner we can always prevent the formation of any assigned partial - tone , by choosing a suitable point of percussion ...
... string , are excluded , and only the odd partial - tones , i.e. the 1st , 3rd , 5th , and so on , are heard . In this manner we can always prevent the formation of any assigned partial - tone , by choosing a suitable point of percussion ...
Página 108
... string - sound depends of course on the rate at which the string is vibrating . We have seen that , when the material thickness and tension of a string remain the same , its rate of vibration varies inversely as the length of the string ...
... string - sound depends of course on the rate at which the string is vibrating . We have seen that , when the material thickness and tension of a string remain the same , its rate of vibration varies inversely as the length of the string ...
Página 110
... string . The length of string intercepted between the fixed bridge and the finger admits of being altered at pleasure , and thus every shade of pitch can be produced from such instruments . The resined bow maintains the vibration of the ...
... string . The length of string intercepted between the fixed bridge and the finger admits of being altered at pleasure , and thus every shade of pitch can be produced from such instruments . The resined bow maintains the vibration of the ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires