Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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... Sound . This important point can be readily brought to the test of experiment , as follows . Let a bell , kept ... Sound through the base of the receiver itself , the bell will appear to ring more and more feebly as the exhaustion pro ...
... Sound . This important point can be readily brought to the test of experiment , as follows . Let a bell , kept ... Sound through the base of the receiver itself , the bell will appear to ring more and more feebly as the exhaustion pro ...
Página 46
... sound as a steady sound , a non - musical sound as an unsteady sound . It is true we may often be puzzled to say whether a particular sound is musical or not : this arises , however , from no defect in our definition , but from the fact ...
... sound as a steady sound , a non - musical sound as an unsteady sound . It is true we may often be puzzled to say whether a particular sound is musical or not : this arises , however , from no defect in our definition , but from the fact ...
Página 64
... sound is , in this case , evidently twice as large , in any given time , as the number , during the same time , for the graver sound . Accordingly we have the following result . When two sounds differ by a single octave , the higher sound ...
... sound is , in this case , evidently twice as large , in any given time , as the number , during the same time , for the graver sound . Accordingly we have the following result . When two sounds differ by a single octave , the higher sound ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires