Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página xi
... simple tones , § 76 - Graphic representation of beats , § 77 - Experimental study of beats , § 78 . CHAPTER VIII . ON CONCORD AND DISCORD . Helmholtz's discovery of the nature of dissonance ; conditions under which it may arise between ...
... simple tones , § 76 - Graphic representation of beats , § 77 - Experimental study of beats , § 78 . CHAPTER VIII . ON CONCORD AND DISCORD . Helmholtz's discovery of the nature of dissonance ; conditions under which it may arise between ...
Página 145
... simple tones whose relative pitch follows the law of the partial - tone series . It thus supplies a theoretical basis for the analysis and synthesis of composite sounds which have been ex- perimentally effected in chapters IV . and v ...
... simple tones whose relative pitch follows the law of the partial - tone series . It thus supplies a theoretical basis for the analysis and synthesis of composite sounds which have been ex- perimentally effected in chapters IV . and v ...
Página 154
... the acuter of the two simple tones performs one more vibration than the graver tone . Accordingly , the number of beats heard in any assigned time will be equal to the number of com- 154 [ VII . § 76 . BEATS OF SIMPLE TONES .
... the acuter of the two simple tones performs one more vibration than the graver tone . Accordingly , the number of beats heard in any assigned time will be equal to the number of com- 154 [ VII . § 76 . BEATS OF SIMPLE TONES .
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires