Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
Dentro del libro
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Página 69
... pianoforte , so as to raise the damper , without making any sound , and then sing loudly , into the instrument , the corresponding note . When the voice ceases , the instrument will continue to sustain the note , which will then ...
... pianoforte , so as to raise the damper , without making any sound , and then sing loudly , into the instrument , the corresponding note . When the voice ceases , the instrument will continue to sustain the note , which will then ...
Página 95
... pianoforte note of the same pitch , the fork - tone is wanting in richness and vivacity , and produces an impression of greater depth , so that one is at first inclined to think the pianoforte note corresponding to it must be an octave ...
... pianoforte note of the same pitch , the fork - tone is wanting in richness and vivacity , and produces an impression of greater depth , so that one is at first inclined to think the pianoforte note corresponding to it must be an octave ...
Página 208
... pianoforte something might be done , by having it , when intended to be used only in assisting vocal practice , put into perfect tune in one single key , and using that key only . The services of such an instrument would , no doubt , be ...
... pianoforte something might be done , by having it , when intended to be used only in assisting vocal practice , put into perfect tune in one single key , and using that key only . The services of such an instrument would , no doubt , be ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires