Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
Dentro del libro
Resultados 1-3 de 29
Página 57
... once its vibration - number has been ascertained . 29. The Syren shows that , below a certain rate of vibration , no musical sounds are produced . The position of the absolute limit thus placed to the gravity of such sounds cannot be ...
... once its vibration - number has been ascertained . 29. The Syren shows that , below a certain rate of vibration , no musical sounds are produced . The position of the absolute limit thus placed to the gravity of such sounds cannot be ...
Página 69
... once indicating its essential meaning , namely , the setting up of vibrations in an instrument , not by a blow or other immediate action upon it , but indirectly as the result of the vibrations of another instrument . In order to ...
... once indicating its essential meaning , namely , the setting up of vibrations in an instrument , not by a blow or other immediate action upon it , but indirectly as the result of the vibrations of another instrument . In order to ...
Página 212
... once , that the difficulty of ' remote keys , ' which is so serious in the established notation , thus altogether disappears . For instance , a vocal phrase from Spohr's ' Last Judgment , ' which in the established notation is as ...
... once , that the difficulty of ' remote keys , ' which is so serious in the established notation , thus altogether disappears . For instance , a vocal phrase from Spohr's ' Last Judgment , ' which in the established notation is as ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires