Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página 66
... intervals named in the first ; and in the third , describes the consonant or dissonant cha- racter of the intervals . Name of interval . Unison Second Minor Third 1105 copo Vibration - fraction . Character of interval . concord F ...
... intervals named in the first ; and in the third , describes the consonant or dissonant cha- racter of the intervals . Name of interval . Unison Second Minor Third 1105 copo Vibration - fraction . Character of interval . concord F ...
Página 188
... interval has to be inverted . The ' inversion ' of any assigned interval narrower than an octave is the difference between it and an octave , i . e . the interval which remains after the first has been subtracted from an octave . Thus ...
... interval has to be inverted . The ' inversion ' of any assigned interval narrower than an octave is the difference between it and an octave , i . e . the interval which remains after the first has been subtracted from an octave . Thus ...
Página 193
... interval of the new triad will be the upper interval of the old one , i.e. a Minor Third . The upper interval of the new triad will necessarily be the inversion of the interval which separated the extreme notes of the old triad . This ...
... interval of the new triad will be the upper interval of the old one , i.e. a Minor Third . The upper interval of the new triad will necessarily be the inversion of the interval which separated the extreme notes of the old triad . This ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires