Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página 166
... higher clang coincides exactly with one belonging to the lower . No dissonance can consequently occur , and the combination is a per- fect concord . But , suppose the higher C to 166 CONSONANCE AND DISSONANCE . [ VIII . § 81 .
... higher clang coincides exactly with one belonging to the lower . No dissonance can consequently occur , and the combination is a per- fect concord . But , suppose the higher C to 166 CONSONANCE AND DISSONANCE . [ VIII . § 81 .
Página 167
... higher C to be out of tune each of its partial tones will be cor- respondingly too sharp or too flat , and three sets of beats will be heard between the partial - tones 2-1 , 4-2 , and 6-3 . When the higher C is as much as a semi - tone ...
... higher C to be out of tune each of its partial tones will be cor- respondingly too sharp or too flat , and three sets of beats will be heard between the partial - tones 2-1 , 4-2 , and 6-3 . When the higher C is as much as a semi - tone ...
Página 186
... higher makes ths of a vibration , or 14 vibrations . Con- versely , while the higher note makes one vibration , the lower makes #ths of a vibration . The same reason- ing being equally applicable to other cases , it follows that any ...
... higher makes ths of a vibration , or 14 vibrations . Con- versely , while the higher note makes one vibration , the lower makes #ths of a vibration . The same reason- ing being equally applicable to other cases , it follows that any ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires