Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página 45
... heard - the roaring of the wind , the din of traffic in a crowded thoroughfare - belong to the second class . Musical sounds are , for the most part , to be heard only from instruments constructed to produce them . The dif- ference ...
... heard - the roaring of the wind , the din of traffic in a crowded thoroughfare - belong to the second class . Musical sounds are , for the most part , to be heard only from instruments constructed to produce them . The dif- ference ...
Página 133
... heard without recourse to resonators . When a body of voices are singing fortissimo without any instrumental accompaniment , a peculiar shrill tremulous sound is heard which is obviously far above the pitch of any note actually being ...
... heard without recourse to resonators . When a body of voices are singing fortissimo without any instrumental accompaniment , a peculiar shrill tremulous sound is heard which is obviously far above the pitch of any note actually being ...
Página 158
... heard on striking the note . If the tuning is perfect , a wax pellet attached to one of the wires will lower its pitch sufficiently to produce the de- sired effect . Beats not too fast to be readily counted arise between adjacent notes ...
... heard on striking the note . If the tuning is perfect , a wax pellet attached to one of the wires will lower its pitch sufficiently to produce the de- sired effect . Beats not too fast to be readily counted arise between adjacent notes ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires