Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
Dentro del libro
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Página 59
... fixed relations of pitch to that previously chosen , which are capable of forming , with it and with each other , melodic and harmonic effects especially pleasing to the ear . These are the notes of the ordinary major and minor scales ...
... fixed relations of pitch to that previously chosen , which are capable of forming , with it and with each other , melodic and harmonic effects especially pleasing to the ear . These are the notes of the ordinary major and minor scales ...
Página 60
... fixed mutual relations of pitch , just as , in the plan , the several objects represented need only be drawn in proportion to their actual dimensions . The difference in pitch of any two notes is called the interval between them : it is ...
... fixed mutual relations of pitch , just as , in the plan , the several objects represented need only be drawn in proportion to their actual dimensions . The difference in pitch of any two notes is called the interval between them : it is ...
Página 110
... fixed bridge and the finger admits of being altered at pleasure , and thus every shade of pitch can be produced from such instruments . The resined bow maintains the vibration of the string by alternately dragging it out of its position ...
... fixed bridge and the finger admits of being altered at pleasure , and thus every shade of pitch can be produced from such instruments . The resined bow maintains the vibration of the string by alternately dragging it out of its position ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires