Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página xi
... dissonance , $$ 81-86 - Picture of amount of dissonance for all intervals not wider than one octave , § 87 - Consonance dependent on quality , § 88 - Apparent objection to Helmholtz's theory of quality , § 89 - Combination- tones , § 90 ...
... dissonance , $$ 81-86 - Picture of amount of dissonance for all intervals not wider than one octave , § 87 - Consonance dependent on quality , § 88 - Apparent objection to Helmholtz's theory of quality , § 89 - Combination- tones , § 90 ...
Página 166
... dissonance of the combination . If there be no dissonance , the combination is described as a perfect concord . When dissonance is present , it will depend on its amount whether the combination is called an imperfect concord or a ...
... dissonance of the combination . If there be no dissonance , the combination is described as a perfect concord . When dissonance is present , it will depend on its amount whether the combination is called an imperfect concord or a ...
Página 173
... dissonance resulting is , of course , harsher for the half than for the whole tone . The Minor Seventh is constituted thus : DB It is the mildest of the discords , in fact , in actual smoothness it decidedly surpasses the Minor Sixth ...
... dissonance resulting is , of course , harsher for the half than for the whole tone . The Minor Seventh is constituted thus : DB It is the mildest of the discords , in fact , in actual smoothness it decidedly surpasses the Minor Sixth ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires