Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página 63
... called the Minor Third . According to circumstances it may either retain 6 , or replace it by a sound lying between that note and 5 , which makes with 1 a concord called the Minor Sixth . Similarly it may employ 7 , or , in the room of ...
... called the Minor Third . According to circumstances it may either retain 6 , or replace it by a sound lying between that note and 5 , which makes with 1 a concord called the Minor Sixth . Similarly it may employ 7 , or , in the room of ...
Página 128
... called a ' tongue , ' is fastened to a brass plate , while the other end is . free . A rect- angular aperture , very slightly larger than the tongue , is cut through the plate , so as to allow the tongue to oscillate into and out of the ...
... called a ' tongue , ' is fastened to a brass plate , while the other end is . free . A rect- angular aperture , very slightly larger than the tongue , is cut through the plate , so as to allow the tongue to oscillate into and out of the ...
Página 204
... called its ' temperament . ' A vast number of different methods of tempering have been proposed and tried during the history of the organ and pianoforte . 110. That which has at last been almost univer- sally adopted is the system of ...
... called its ' temperament . ' A vast number of different methods of tempering have been proposed and tried during the history of the organ and pianoforte . 110. That which has at last been almost univer- sally adopted is the system of ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires