Sound and Music: A Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor HelmholtzJohnson Reprint Corporation, 1967 - 219 páginas |
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Página 108
... Hence very thin mobile strings are favourable , thick weighty strings unfavourable , to the production of a large number of partial - tones . 55. Having examined what determines the quality of the sound of a vibrating string , we have ...
... Hence very thin mobile strings are favourable , thick weighty strings unfavourable , to the production of a large number of partial - tones . 55. Having examined what determines the quality of the sound of a vibrating string , we have ...
Página 193
... Hence we may write our two groups as follows : Minor Third . ( a ) Major Third . ( a ) [ Major Third . ( b ) ( Fourth . Minor Third . Fourth . ( c ) [ Major Third . Fourth . ( Minor Third . ( B ) Minor Third . Major Third . ( 2 ) Fourth ...
... Hence we may write our two groups as follows : Minor Third . ( a ) Major Third . ( a ) [ Major Third . ( b ) ( Fourth . Minor Third . Fourth . ( c ) [ Major Third . Fourth . ( Minor Third . ( B ) Minor Third . Major Third . ( 2 ) Fourth ...
Página 199
... Hence we must have a fresh note lying between A and B. Further , F will not do for the seventh of the scale of G , as it is separated from G by g , instead of 1g . This necessitates a second additional note lying between F and G. If we ...
... Hence we must have a fresh note lying between A and B. Further , F will not do for the seventh of the scale of G , as it is separated from G by g , instead of 1g . This necessitates a second additional note lying between F and G. If we ...
Contenido
CHAPTER | 1 |
and time of vibration 8Periodic vibrations SS 9 10Form | 22 |
Musical and nonmusical Sounds 23 | 46 |
Derechos de autor | |
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Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2016 |
Términos y frases comunes
absolute pitch Accordingly air-column amplitude assigned chords clarionet coincides combination-tone complete vibration composite sounds concord consonance and dissonance corresponding crest discord dissonance distance drop drop-vibration effect equal intervals equal waves Fifth figure fixed follows fork forms of vibration Fourth fundamental tone give rise harmonium heard Helmholtz Hence horizontal human voice instrument intensity inversion length level-line loudness lower Major Third ment Minor Seventh Minor Sixth mode of vibration motion moving musical sound nodes obtained occupied octave open pipe oscillation overtones pair partial-tones particle pendulum pianoforte piston pitch pressure produced prong pulse of condensation pulse-length rapid rate of vibration resonance result scale simple tones single musical stopped pipe straight line string suppose swing timbre tion tonic Tonic Sol-Fa traversing triads trough tube tuning tuning-fork unison velocity ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-form wave-length wires