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They were men whose talents might have raised cantos, might remind the reader, at intervals, of them to the highest station in literature, had they the time, place, and circumstances of the recitanot preferred exerting them in their own profes- tion. This species of cadre, or frame, afterwards sion of the law, in which they attained equal pre- afforded the poem its name of “The Lay of the ferment. I was in the habit of consulting them on Last Minstrel.” my attempts at composition, having equal confi- The work was subsequently shown to other dence in their sound taste and friendly sincerity.' friends during its progress, and received the imIn this specimen I had, in the phrase of the High- primatur of Mr. Francis Jeffrey, who had been land servant, packed all that was my own at least, | already for some time distinguished by his critical for I had also included a line of invocation, a talent. little softened, from Coleridge

The poem, being once licensed by the critics as “Mary, mother, shield as well.”

fit for the market, was soon finished, proceeding at

about the rate of a canto per week. There was, As neither of my friends said much to me on the indeed, little occasion for pause or hesitation, when subject of the stanzas I showed them before their a troublesome rhyme might be accomodated by departure, I had no doubt that their disgust had an alteration of the stanza, or where an incorrect been greater than their good-nature chose to ex measure might be remedied by a variation of the press. Looking upon them, therefore, as a failure, rhyme. It was finally published in 1805, and may I threw the manuscript into the fire, and thought be regarded as the first work in which the writer, as little more as I could of the matter. Some who has been since so voluminous, laid his claim time afterwards, I met one of my two counsellors, to be considered as an original author. who inquired, with considerable appearance of in- The book was published by Longman and Cointerest, about the progress of the romance I had pany, and Archibald Constable and Company. The commenced, and was greatly surprised at learning principal of the latter firm was then commencing its fate. He confessed that neither he nor our that course of bold and liberal industry which was mutual friend had been at first able to give a of so much advantage to his country, and might precise opinion on a poem so much out of the have been so to himself, but for causes which it is common road; but that as they walked home to- needless to enter into here. The work, brought gether to the city, they had talked much on the out on the usual terms of division of profits besubject, and the result was an earnest desire that tween the author and publishers, was not long I would proceed with the composition. He also after purchased by them for £500, to which added, that some sort of prologue might be neces Messrs. Longman and Company afterwards added sary, to place the mind of the hearers in the situa £100, in their own unsolicited kindness, in consetion to understand and enjoy the poem, and recom quence of the uncommon success of the work. It mended the adoption of such quaint mottoes as was handsomely given to supply the loss of a fine Spenser has used to announce the contents of the horse, which broke down suddenly while the auchapters of the Faery Queen, such as

thor was riding with one of the worthy publish“ Babe's bloody hands may not be cleansed. The face of golden Mean :

It would be great affectation not to own Her sisters two, Extremities,

frankly, that the author expected some success Strive her to banish clean."'

from “The Lay of the Last Minstrel." The atI entirely agreed with my friendly critic in the tempt to return to a more simple and natural necessity of having some sort of pitch-pipe, which style of poetry was likely to be welcomed, at a might make readers aware of the object, or rather time when the public had become tired of heroic the tone, of the publication. But I doubted wheth hexameters, with all the buckram and binding er, in assuming the oracular style of Spenser's which belong to them of later days. But whatmottoes, the interpreter might not be censured as ever might have been his expectations, whether the harder to be understood of the two. I there moderate or unreasonable, the result left them far fore introduced the Old Minstrel, as an appropri- behind, for among those who smiled for the advenate prolocutor, by whom the lay might be sung, or turous Minstrel, were numbered the great names spoken, and the introduction of whom betwixt the of William Pitt and Charles Fox. Neither was

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1 One of these, William Erskine, Esq. (Lord Kinnedder), I 2 Book II. Canto II. have often had occasion to mention; and though I may hardly Mr. Owen Rees, here alluded to, retired from the house of be thanked for disclosing the name of the other, yet I cannot 'Longman & Co. at Midsummer, 1837, and died 5th September but state that the second is George Cranstoun, Esq., now a following, in his 67th year.-Ep. Senator of the College of Justice, by the title of Lord Core- 4 " Through what channel or in what terms Fox made known house. 1831.-[Mr. Cranstoun resigned is seat on the Bench' his opinion of the Lay, I have failed to ascertain. Pitt's praise. in 1839.]

as expressed to his niece, Lady Hester Stanhope, within a few

the extent of the sale inferior to the character of deductions from his own merits, in a calm attempt the judges who received the poem with approba- to account for his popularity. tion. Upwards of thirty thousand copies of the A few additional remarks on the author's literLay were disposed of by the trade; and the au- ary attempts after this period, will be found in thor had to perform a task difficult to human the Introduction to the Poem of Marmion. vanity, when called upon to make the necessary ABBOTSFORD, April, 1830.

weeks after the poem appeared, was repeated by her to Mr. ed, and there followed an octavo impression of 1500; in 1806, William Stewart Rose, who, of course, communicated it forth two more, one of 2000 copies, another of 2250 ; in 1807, a fifth with to the author; and not long after, the Minister, in con edition of 2000, and a sixth of 3000; in 1808, 3550 ; in 1809, versation with Scott's early friend, the Right Hon. William 3000-a small edition in quarto (the ballads and lyrical pieces Dundas, signified that it would give him pleasure to find some being then annexed to it)--and another octavo edition of

bein opportunity of advancing the fortunes of such a writer. "I 3250; in 1811, 3000; in 1812, 3000; in 1816, 3000; in 1823, remember," writes this gentleman, "at Mr. Pitt's table in 1000. A fourteenth impression of 2000 foolscap appeared in 1805, the Chancellor asked me about you and your then situa 1825; and besides all this, before the end of 1836, 11,000 tion, and after I had answered him, Mr. Pitt observed — He copies had gone forth in the collected editions of his poetical can't remain as he is,' and desired me to look to it.'"- works. Thus, nearly forty-four thousand copies had been disLOCKHART. Life of Scott, vol. ii. p. 226.

posed of in this country, and by the legitimate trade alone,

before he superintended the edition of 1830, to which his bio1 " The poet has underestimated even the patent and tangi- graphical introductions were prefixed. In the history of Britble evidence of his success. The first edition of the Lay was ish Poetry nothing had ever equalled the demand for the Lay | a magnificent quarto, 750 copies ; but this was soon exhaust of the Last Minstrel." -Life, vol. i. p. 226.

The Lay of the Last Minstrel.

TO THE

RIGHT HONOR A BLE
CHARLES EARL OF DALKEITH,

THIS POEM IS INSCRIBED BY

. THE AUTHOR.

PREFACE TO THE FIRST EDITION. The Poem now offered to the Public, is intended to illustrate the customs and manners which anciently prevailed on the Borders of England and Scotland. The inhabitants living in a state partly pastoral and partly warlike, and combining habits of constant depredation with the influence of a rude spirit of chivalry, were often engaged in scenes highly susceptible of poetical ornament. As the description of scenery and manners was more the object of the Author than a combined and regular narrative, the plan of the Ancient Metrical Romance was adopted, which allows greater latitude, in this respect, than would be consistent with the dignity of a regular Poem. The same model offered other facilities, as it permits an occasional alteration of measure, which, in some degree, authorizes the change of rhythm in the text. The machinery, also, adopted from popular belief, would have seemed puerile in a Poem which did not partake of the rudeness of the old Ballad, or Metrical Romance.

For these reasons, the Poem was put into the mouth of an ancient Minstrel, the last of the race, who, as he is supposed to have survived the Revolution, might have caught somewhat of the refinement of modern poetry, without losing the simplicity of his original model. The date of the Tale itself is about the middle of the sixteenth century, when most of the personages actually flourished. The time occupied by the action is Three Nights and Three Days.'

INTRODUCTION. The way was long, the wind was cold, The Minstrel was infirm and old ;

His wither'd cheek, and tresses gray,
Seem'd to have known a better day;
The harp, his sole remaining joy,
Was carried by an orphan boy.

1 “The chief excellence of the Lay consists in the beanty dolence. Mr. Scott sets out with the intention of diversifying of the descriptions of local scenery, and the accurate picture his journey by every variety of motion. He is now at a trot, of customs and manners among the Scottish Borderers at the now at a gallop; nay, he sometimes stops, as if to time it refers to. The various exploits and adventures which occur in those half-civilized times, when the bands of govern

Make graceful caprioles, and prance

Between the pillars.' ment were so loosely twisted, that every man depended for safety more on his own arm, or the prowess of his chief, than A main objection to this plan is to be found in the shock which on the civil power, may be said to hold a middle rank between the ear receives from violent and abrupt transitions. On the history and private anecdote. War is always most picturesque other hand, it must be allowed, that as different species of where it is least formed into a science; it has most variety and verse are individually better suited to the expression of the interest where the prowess and activity of individuals has most different ideas, sentiments, and passions, which it is the object play; and the nocturnal expedition of Diomed and Ulysses to of poetry to convey, the happiest efforts may be produced by seize the chariot and horses of Rhesus, or a raid of the Scotts adapting to the subject its most congenial structure of verse." or the Kerrs to drive cattle, will make a better figure in verse, -Critical Review, 1805. than all the battles of the great King of Prussia. The sleuth "From the novelty of its style and subject, and from the dog, the beacon-fires, the Jedwood-axes, the moss-troopers, spirit of its execution, Mr. Scott's Lay of the Last Minstre! the yell of the slogan, and all the irregular warfare of preda- kindled a sort of enthusiasm among all classes of readers : and tory expeditions, or feuds of hereditary vengeance, are far more the concurrent voice of the public assigned to its very protest cantiynting to the imagination than a park of artillery and bat-rank, which, on more cool and dispassionate examination, its talions of well-drilled soldiers."'-Annual Review, 1804. numerous essential beauties will enable it to maintain. For

7" It must be observed, that there is this difference between vivid richness of coloring and truth of costume, many of its the license of the old romancer, and that assumed by Mr.

descriptive pictures stand almost unrivalled; it carries us back Scott: the aberrations of the first are usually casual and

in imagination to the time of action; and we wander with the slight; those of the other, premeditated and systematic. The poet along Tweedside, or among the wild glades of Ettrick old romancer may be compared to a man who trusts his reins Forest.”-Monthly Review, May, 1808. to his horse ; his palfrey often blunders, and occasionally 9"We consider this poem as an attempt to transfer the rebreaks his pace, sometimes from vivacity, oftener through in- ' finements of modern poetry to the matter and the manner of

The last of all the Bards was he,
Who sung of Border chivalry;
For, welladay! their date was fled,
His tuneful brethren all were dead;
And he, neglected and oppress'd,
Wish'd to be with them, and at rest.”
No more on prancing palfrey borne,
He carolld, light as lark at morn;
No longer courted and caress'd,
High placed in hall, a welcome guest,
He pour'd, to lord and lady gay,
The unpremeditated lay: i n
Old times were changed, old manners gone;
A stranger fill'd the Stuarts' throne;
The bigots of the iron time
Had callid his harmless art a crime.
A wandering Harper, scorn'd and poor,
He begg'd his bread from door to door,
And tuned, to please a peasant's ear,
The harp, a king had loved to hear.

Looks out from Yarrow's birchen bower:
The Minstrel gazed with wishful eye-
No humbler resting-place was nigh,
With hesitating step at last,
The embattled portal arch he passid,
Whose ponderous grate and massy bar
Had oft rollid back the tide of war,
But never closed the iron door
Against the desolate and poor.
The Duchess' mark'd his weary pace,
His timid mien, and reverend face,
And bade her page the menials tell,
That they should tend the old man well:
For she had known adversity,
Though born in such a high degree;
In pride of power, in beauty's bloom,
Had wept o'er Monmouth's bloody tomb!

When kindness had his wants supplied,
And the old man was gratified,
Began to rise his minstrel pride :
And he began to talk anon,

He pass'd where Newark'sstately tower

the ancient metrical romance. The author, enamored of the “Newark Castle was built by James II. The royal arms, lofty visions of chivalry, and partial to the strains in which with the unicorn, are engraved on a stone in the western side they were formerly embodied, seems to have employed all the of the tower. There was a much more ancient castle in its resources of his genius in endeavoring to recall them to the immediate vicinity, called Auldwark, founded, it is said, by favor and admiration of the public, and in adapting to the Alexander III. Both were designed for the royal residence taste of modern reader a species of poetry which was once the

ich was once the when the king was disposed to take his pleasure in the extendelight of the courtly, but has long ceased to gladden any other sive forest of Ettricke. Various grants occur in the records eyes than those of the scholar and the antiquary. This is a of the Privy Seal, bestowing the keeping of the Castle of romance, therefore, composed by a minstrel of the present day; Newark upon different barons. There is a popular tradition or such a romance as we may suppose would have been writ- that it was once seized, and held out by the outlaw Murray, ten in modern times, if that style of composition had continued a noted character in song, who only surrendered Newark upon to be cultivated, and partakes consequently of the improve condition of being made hereditary sheriff of the forest. A ments which every branch of literature has received since the long ballad, containing an account of this transaction, is pretime of its desertion."-JEFFREY, April, 1805.

served in the Border Minstrelsy (vol. i. p. 369). Upon the 1 * Turning to the northward, Scott showed us the crags marriage of James IV. with Margaret, sister of Henry VIII., and tower of Smailholme, and behind it the shattered frag- the Castle of Newark, with the whole forest of Ettricke, was ment of Ereeldoune, and repeated some pretty stanzas as assigned to her as a part of her jointure lands. But of this she cribed to the last of the real wandering minstrels of this dis could make little advantage ; for, after the death of her hus trict, by name Burn:

band, she is found complaining heavily, that Buccleuch had "Sing Erceldoune, and Cowdenknowes,

seized upon these lands. Indeed, the office of keeper was latWhere Homes had ance commanding,

terly held by the family of Buccleuch, and with so firm a

grasp, that when the Forest of Ettricke was disparked, they And Drygrange. wil the milk-white ewes, 'Twist Tweed and Leader standing.

obtained a grant of the Castle of Newark in property. It was

within the courtyard of this castle that General Lesly did miliThe bird that flees through Redpath trees And Gledswood banks each morrow,

tary execution upon the prisoners whom he had taken at the

battle of Philiphaugh. The castle continued to be an occaMay chaunt and sing--Sweet Leader's haughs And Bonny howms of Yarrow.

sional seat of the Buccleuch family for more than a century;

and here, it is said, the Duchess of Monmouth and Buccleuch • But Minstrel Burn cannot assuage His grief while life endureth,

was brought up. For this reason, probably, Mr. Scott has To see the changes of this age

chosen to make it the scene in which the Lay of the Last Min

strel is recited in her presence, and for her amusement."Which fleeting time procureth; For mony a place stands in hard case,

SCHETKY's Mustrations of the Lay of the Last Minstrel.

It may be added that Bowhill was the favorite residence Where blythe folks kent nae sorrow,

of Lord and Lady Dalkeith (afterwards Duke and Duchess With Homes that dwelt on Leader side, And Scotts that dwelt on Yarrow.'"

of Buccleuch), at the time when the poem was composed ; the

ruins of Newark are all but included in the park attached to Life, vol. vi. p. 78.

that modern seat of the family; and Sir Walter Scott, no 1 " This is a massive square tower, now unroofed and doubt, was influenced in his choice of the locality, by the rainous, surrounded by an ontward wall, defended by round predilection of the charming lady who suggested the subject flanking turrets. It is most beautifully situated, about three of his Lay for the scenery of the Yarrow-a beautiful walk on niles from Selkirk, upon the banks of the Yarrow, a fierce / whose banks, leading from the house to the old castle, is called, and precipitous stream, which unites with the Ettricke about in memory of her, the Duchess's Walk.--Ep. a mile beneath the castle.

Anne, Duchess of Buccleuch and Monmouth, representa

Of good Earl Francis,' dead and gone,
And of Earl Walter,' rest him, God!
A braver ne'er to battle rode;
And how full many a tale he knew,
Of the old warriors of Buccleuch:
And, would the noble Duchess deign
To listen to an old man's strain,
Though stiff his hana, his voice though weak,
He thought even yet, the sooth to speak,
That, if she loved the harp to hear,
He could make music to her ear.

And lighten'd up his faded eye,
With all a poet's ecstasy!
In varying cadence, soft or strong,
He swept the sounding chords along;
The present scene, the future lot,
His toils, his wants, were all forgot:
Cold diffidence, and age's frost,
In the full tide of song were lost;
Each blank, in faithless memory void,
The poet's glowing thought supplied;
And, while his harp responsive rung,
"Twas thus the LATEST MINSTREL sung.*

The Lay of the Last Minstrel.

The humble boon was soon obtain'd; The Aged Minstrel audience gain'd. But, when he reach'd the room of state, Where she, with all her ladies, sate, Perchance he wish'd his boon denied: For, when to tune his harp he tried, His trembling hand had lost the ease, Which marks security to please; And scenes, long past, of joy and pain, Came wildering o'er his aged brainHe tried to tune his harp in vain !

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And gave him heart, and gave him time,
Till every string's according glee
Was blended into harmony.
And then, he said, he would full fain
He could recall an ancient strain,
He never thought to sing again.
It was not framed for village churls,
But for high dames and mighty earls;
He had play'd it to King Charles the Good,
When he kept court in Holyrood;
And much he wish'd, yet fear'd, to try
The long-forgotten melody
Amid the strings his fingers stray'd,
And an uncertain warbling made,
And oft he shook his hoary head.
But when he caught the measure wild,
The old man raised his face, and smiled;

The tables were drawn, it was idlesse all;

Knight, and page, and household squire, Loiter'd through the lofty hall,

Or crowded round the ample fire; The stag-hounds, weary with the chase,

Lay stretch'd upon the rushy floor, And urged, in dreams, the forest race,

From Teviot-stone to Eskdale-moor.

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3 "Mr. W. Dandas (see Life of Scott, vol. ii. p. 226), says, that Pitt repeated the lines, describing the old harper's embarrassment when asked to play, and said, - This is a sort of thing which I might have expected in painting, but could never have funcied capable of being given in poetry.'

4 "In the very first rank of poetical excellence, we are inclined to place the introductory and concluding lines of every canto, in which the ancient strain is suspended, and the feelings and situation of the minstrel himself described in the words of the author. The elegance and the beauty of this setting, if we may so call it, though entirely of modern workmanship, appears to us to be fully more worthy of admiration than the bolder relief of the antiques which it encloses, and leads us to regret that the author should have wasted, in imitation and

antiquarian researches, so much of those powers which seem fully equal to the task of raising him an independent reputation."-JEFFREY. o See Appendix, Note A.

« The ancient romance owes much of its interest to the lively picture which it affords of the times of chivalry, and of those usages, manners, and institutions, which we have been accustomed to associate in our minds, with a certain combination of magnificence with simplicity, and ferocity with romantic honor. The representations contained in those performances, however, are, for the most part, too rude and naked to give complete satisfaction. The execution is always extremely unequal; and though the writer sometimes touches upon the appropriate feeling with great effect and felicity, still this annear to be done more by accident than design; and he wanders away immediately into all sorts of ridiculous or uninteresting details, without any apparent consciousness of incongruity. These defects Mr. Scott bas corrected with admirable address and judgment in the greater part of the work now before us; and while he has exhibited a very striking and impressive picture

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