The Rhetoric of RomanticismColumbia University Press, 2000 M01 15 - 327 páginas -- Cynthia Chase, author of Decomposing Figures: Rhetorical Readings in the Romantic Tradition |
Contenido
| 1 | |
| 19 | |
Wordsworth and Holderlin | 47 |
Autobiography As DeFacement | 67 |
Wordsworth and the Victorians | 83 |
Shelley Disfigured | 93 |
Symbolic Landscape in Wordsworth and Yeats | 125 |
Image and Emblem in Yeats | 145 |
Anthropomorphism and Trope in the Lyric | 239 |
Aestetic Formalization Kleists Uber das Marionettentheater | 263 |
Notes | 291 |
Bibliography for Essay 8 | 315 |
Notes on Permissions | 321 |
| 323 | |
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Términos y frases comunes
Adam's Curse aesthetic anthropomorphism appears articulation autobiography Baudelaire beauty becomes body Böschenstein consciousness Coole Park Correspondances dance dancer death dialectic Dionysus divine earth earthly Edain emblem emblematic entirely entity ephebe essay experience figure flowers forgetting gods Hérodiade Hölderlin human imagery imagination interpretation Kleist's Lady Gregory landscape language light literary lyric Mallarmé Marionettentheater Maud Gonne meaning ment metaphor Michael Robartes mind mirror mode mounting swan narrative natural image Neoplatonic never object Obsession Oisin ontological priority originate parfums passage Platonic poem poet poetic poetry possible present pure question reading Reeds remains repose Rhine romantic romantic poetry romanticism Rousseau scene Schiller seems sense perception shape shell Shelley Shelley's sion song soul specular story strophe structure supernatural symbol symbolist temporal thematic theme things thought tion tradition Triumph tropes tropological understanding unity Vision W. B. Yeats Wind word Wordsworth Yeats's
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