 | Samuel Kercheval, Charles James Faulkner - 1833 - 452 páginas
...next morning. The figures of the dances were three and four handed reels, or square sets and jigs. The commencement was always a square four, which was...accompanied with what was called cutting out, that is, when any of the parties became tired of the dance, on intimation, the place was supplied by some one of... | |
 | Sherman Day - 1843 - 766 páginas
...next morning. The figures of the dances were three and four-handed reels, or square setts, and jigs. The commencement was always a square four, which was...and were followed by the remaining couple. The jigs often accompanied with what was called cutting out ; that is, when either of the parties became tired... | |
 | Henry Howe - 1845 - 596 páginas
...next morning* The figures of the dances were three and four-handed reels, or square setts and jigs. The commencement was always a square four, which was...were often accompanied with what was called cutting oat ; that is, when either of the parties became tired of the dance, on intimation the place was supplied... | |
 | Henry Howe - 1845 - 616 páginas
...next morning. The figures of the dances were three and four-handed reels, or square setts and jigs. The commencement was always a square four, which was followed by what was called jigging it oft'; that is, two of the four would single out for a jig, and were followed by the remaining couple.... | |
 | James Handasyd Perkins - 1846 - 642 páginas
...next morning. The figures of the dances were three and four handed reels, or square sets, and jigs. The commencement was always a square four, which was...was called cutting out; that is, when either of the parlies became tired of the dance, on intimation the place was supplied by some one of the company... | |
 | Samuel Kercheval - 1850 - 356 páginas
...next morning. The figures of the dances were three and four handed reels, or square sets and jigs. The commencement was always a square four, which was...four would single out for a jig, and were followed liy the remaining couple. The jigs were often accompanied with what was called cutting out, that is,... | |
 | Samuel Kercheval - 1850 - 360 páginas
...remaining couple. The jigs were often accompanied with what was called cutting out, that is, when any of the parties became tired of the dance, on intimation, the place was supplied by some of the company, without any interruption of the dance; in this way a dance was often continued till... | |
 | Wills De Hass - 1851 - 444 páginas
...next morning. The figures of the dances were three and four handed reels, or square setts, and jigs. The commencement was always a square four, which was followed by what was called jiging it off ; that is, two of the four would 1773.] CONSIDERATE CUSTOM. 101 single out for a jig,... | |
 | Elizabeth Fries Ellet - 1852 - 488 páginas
...lasted till the next morning. The figures of the dances were three and four-handed reels and jigs. The commencement was always a square four, which was followed by what was culled 'jigging it off; ' that is, two of the four would single out for a jig, and be followed by the... | |
 | Elizabeth Fries Ellet - 1856 - 446 páginas
...lasted till the next morning. The figures of the dances were three and four-handed reels and jigs. The commencement was always a square four, which was...is, two of the four would single out for a jig, and be followed by the remaining couple. The jigs were often accompanied with what was called 'cutting... | |
| |
After dinner the dancing commenced, and generally lasted until the next morning. The figures of the dances were three and four handed reels, or square sets and jigs. The commencement was always a square four, which was followed by what was called jigging... 
