Wordsworth and Word-Preserving Arts: Typographic Inscription, Ekphrasis and Posterity in the Later WorkPalgrave Macmillan, 2007 M07 31 - 216 páginas This title proposes a fundamental revaluation of the central poet of British Romanticism. By looking at the later Wordsworth's ekphrastic writings about visual art and his increased awareness of the printed dimension of his work, and by relating these innovations to Wordsworth's sense that he was writing for posterity, Simonsen calls attention to what is uniquely exciting about this neglected body of work, and argues that it complicates traditional understandings of Wordsworth based on his so-called Great Decade. |
Contenido
The Art of WordPreserving | 38 |
Wordsworths | 69 |
Italics in AfterThought | 102 |
Derechos de autor | |
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Términos y frases comunes
addressee aesthetic After-Thought articulated artist artwork beautiful black letter Brett & Jones British Cambridge Coleorton Coleridge context couplet critical culture dedication Duddon edition Edward Moxon ekphrastic enargeia engraving epitaphic Ernest de Selincourt Essays expression fact frontispiece portrait hand Hartman Haydon Hazlitt Henry Crabb Robinson illustration imagination important inscribed instance italics Jerome McGann John kind later Wordsworth Lines Suggested literary London Lyrical Ballads M. H. Abrams meaning medium mind monument museum nature object Oxford painter painting Peele Castle permanent picture plastic arts poem's poet poet's poetic points portraiture posterity Prelude printed published reader reference reflected represent representation reveals Reynolds River Duddon Robert Southey Rogers Romantic period Romanticism Rylstone sculpture sense sonnet Southey things thought Tintern Abbey tion typography verbal verse visible volume White Doe William Wordsworth word-preserving words Wordsworth wrote Wordsworth's later Wordsworth's poetry Wordsworthian writing Yarrow Revisited