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IN LUCKIE MACLEARY'S TAVERN.

"IN the middle of this din, the Baron repeatedly implored silence; and when at length the instinct of polite discipline so far prevailed, that for a moment he obtained it, he hastened to beseech thier attention 'unto a military ariette, which was a particular favourite of the Maréchal Duc de Berwick;' then, imitating, as well as he could, the manner and tone of a French musquetaire, he immediately commenced,"

Mon cœur volage, dit-elle,

N'est pas pour vous, garçon, Est pour un homme de guerre, Qui a barbe au menton. Lon, Lon, Laridon.

Qui porte chapeau a plume,

Soulier a rouge talon,

Qui joue de la flute,

Aussi de violon.

Lon, Lon, Laridon.

"Balmawhapple could hold no longer, but break in with what he called a d-d good song, composed by Gibby Gaethrowit, the Piper of Cupar; and, without wasting more time, struck up—”"

It's up Glenbarchan's braes I gaed, And o'er the bent of Killiebraid, And mony a weary cast I made,

To cuittle the moor-fowl's tail.

If up a bonny black-cock should spring,
To whistle him down wi' a slug in his wing,
And strap him on to my lunzie string,
Right seldom would I fail.

Chap. xi.

(5.)-" HIE AWAY, HIE AWAY."

"THE stamping of horses was now heard in the court, and Davie Gellatley's voice singing to the two large deer greyhounds,"

Chap. xii.

(6.)-ST. SWITHIN'S CHAIR.

"THE view of the old tower, or fortalice, introduced some family anecdotes and tales of Scottish chivalry, which the Baron told with great enthusiasm. The projecting peak of an impending crag, which rose near it, had acquired the name of St. Swithin's Chair. It was the scene of a peculiar superstition, of which Mr. Rubrick mentioned some curious particulars, which reminded Waverley of a rhyme quoted by Edgar in King Lear; and Rose was called upon to sing a little legend, in which they had been interwoven by some village poet,

Who, noteless as the race from which he sprung, Saved others' names, but left his own unsung.

"The sweetness of her voice, and the simple beauty of her music, gave all the advantage which the minstrel could have desired, and which his poetry so much wanted."

On Hallow-Mass Eve, ere you boune ye to rest,
Ever beware that your couch be bless'd;
Sign it with cross, and sain it with bead,
Sing the Ave, and say the Creed.

For on Hallow-Mass Eve the Night-Hag will ride,
And all her nine-fold sweeping on by her side,
Whether the wind sing lowly or loud,
Sailing through moonshine or swath'd in the cloud

The Lady she sate in St. Swithin's Chair,
The dew of the night has damp'd her hair:
Her cheek was pale-but resolved and high
Was the word of her lip and the glance of her eye.

She mutter'd the spell of Swithin bold,
When his naked foot traced the midnight wold,
When he stopp'd the Hag as she rode the night,
And bade her descend, and her promise plight.

He that dare sit on St. Swithin's Chair, When the Night-Hag wings the troubled air.

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All those idle thoughts and phantasies, Devices, dreams, opinions unsound, Shows, visions, soothsays, and prophecies, And all that feigned is, as leasings, tales, and lies. Chap. xiii.

(9.)-FLORA MACIVOR'S SONG.

"FLORA had exchanged the measured and monotonous recitative of the bard for a lofty and uncommon Highland air, which had been a battle-song in former ages. A few irregular strains introduced a prelude of a wild and peculiar tone, which harmonized well with the distant water-fall, and the soft sigh of the evening breeze in the rustling leaves of an aspen which overhung the seat of the fair harpress. The following verses convey but little idea of the feelings with which, so sung and accompanied, they were heard by Waverley:"

There is mist on the mountain, and night on the vale,
But more dark is the sleep of the sons of the Gael.
A stranger commanded-it sunk on the land,
It has frozen each heart, and benumb'd every hand!

The dirk and the target lie sordid with dust,
The bloodless claymore is but redden'd with rust;
On the hill or the glen if a gun should appear,
It is only to war with the heath-cock or deer.

The deeds of our sires if our bards should rehearse, Let a blush or a blow be the meed of their verse! Be mute every string, and be hush'd every tone, That shall bid us remember the fame that is flown.

But the dark hours of night and of slumber are past,
The morn on our mountains is dawning at last;
Glenaladale's peaks are illumed with the rays,
And the streams of Glenfinnan leap bright in the
blaze.

O high-minded Moray!—the exiled-the dear !—
In the blush of the dawning the STANDARD uprear!
Wide, wide on the winds of the north let it fly,
Like the sun's latest flash when the tempest is nigh!

Ye sons of the strong, when that dawning shall break,
Need the harp of the aged remind you to wake?
That dawn never beam'd on your forefathers' eye,
But it roused each high chieftain to vanquish or die.

O sprung from the Kings who in Islay kept state, Proud chiefs of Clan-Ranald, Glengary, and Sleat! Combine like three streams from one mountain of

snow,

And resistless in union rush down on the foe!

True son of Sir Evan, undaunted Lochiel,
Place thy targe on thy shoulder and burnish thy steel!
Rough Keppoch, give breath to thy bugle's bold swell,
Till far Coryarrick resound to the knell !

Stern son of Lord Kenneth, high chief of Kintail,
Let the stag in thy standard bound wild in the gale!
May the race of Clan-Gillian, the fearless and free,
Remember Glenlivat, Harlaw, and Dundee !

Let the clan of grey Fingon, whose offspring has given
Such heroes to earth, and such martyrs to heaven,
Unite with the race of renown'd Rorri More,
To launch the long galley, and stretch to the oar!

How Mac-Shimei will joy when their chief shall display
The yew-crested bonnet o'er tresses of grey!
How the race of wrong'd Alpine and murder'd Glencoe
Shall shout for revenge when they pour on the foe!

Ye sons of brown Dermid, who slew the wild boar,
Resume the pure faith of the great Callum-More!
Mac-Niel of the Islands, and Moy of the Lake,
For honour, for freedom, for vengeance awake!

Awake on your hills, on your islands awake,
Brave sons of the mountain, the frith, and the lake!
'Tis the bugle-but not for the chase is the call;
'Tis the pibroch's shrill summons-but not to the hall.

"Tis the summons of heroes for conquest or death,
When the banners are blazing on mountain and heath;
They call to the dirk, the claymore, and the targe,
To the march and the muster, the line and the charge.

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(10.)-LINES ON CAPTAIN WOGAN.

"THE letter from the Chief contained Flora's lines on the fate of Captain Wogan, whose enterprising character is so well drawn by Clarendon. He had | originally engaged in the service of the Parliament, but had abjured that party upon the execution of Charles I.; and upon hearing that the royal standard was set up by the Earl of Glencairn and General Middleton in the Highlands of Scotland, took leave of Charles II., who was then at Paris, passed into England, assembled a body of cavaliers in the neighbourhood of London, and traversed the kingdom, which had been so long under domination of the usurper, by marches conducted with such skill, dexterity, and spirit, that he safely united his handful of horsemen with the body of Highlanders then in arms. After several months of desultory warfare, in which Wogan's skill and courage gained him the highest reputation, he had the misfortune to be wounded in a dangerous manner, and no surgical assistance being within reach, he terminated his short but glorious career." The Verses were inscribed,

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EMBLEM of England's ancient faith,
Full proudly may thy branches wave,
Where loyalty lies low in death,

And valour fills a timeless grave.

And thou, brave tenant of the tomb!
Repine not if our clime deny,
Above thine honour'd sod to bloom,
The flowrets of a milder sky.

These owe their birth to genial May;
Beneath a fiercer sun they pine,
Before the winter storm decay-
And can their worth be type of thine!

No! for, 'mid storms of Fate opposing,

Still higher swell'd thy dauntless heart,
And, while Despair the scene was closing,

Commenced thy brief but brilliant part.

"Twas then thou sought'st on Albyn's hill,
(When England's sons the strife resign'd,)
A rugged race resisting still,

And unsubdued though unrefined.

Thy death's hour heard no kindred wail,
No holy knell thy requiem rung;
Thy mourners were the plaided Gael,
Thy dirge the clamorous pibroch sung.

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But follow, follow me,

While glow-worms light the lea,

I'll show ye where the dead should be-
Each in his shroud,

While winds pipe loud,

upon the oars of a galley, and which is therefore distinct from the ordinary jorrams, or boat-songs. They were composed by the Family Bard upon the departure of the Earl of Seaforth, who was obliged to take refuge in Spain, after an unsuccessful effort at insurrection in favour of the Stuart family, in the year 1718.

FAREWELL to Mackenneth, great Earl of the North,
The Lord of Lochcarron, Glenshiel, and Seaforth;
To the Chieftain this morning his course who began,
Launching forth on the billows his bark like a swan.
For a far foreign land he has hoisted his sail,
Farewell to Mackenzie, High Chief of Kintail!

O swift be the galley, and hardy her crew,
May her captain be skilful, her mariners true,
In danger undaunted, unwearied by toil,
Though the whirlwind should rise, and the ocean
should boil:

On the brave vessel's gunnel I drank his bonail,1
And farewell to Mackenzie, High Chief of Kintail!

Awake in thy chamber, thou sweet southland gale!
Like the sighs of his people, breathe soft on his sail;

And the red moon peeps dim through the cloud. Be prolong'd as regret, that his vassals must know,

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Be fair as their faith, and sincere as their woe:
Be so soft, and so fair, and so faithful, sweet gale,
Wafting onward Mackenzie, High Chief of Kintail!

Be his pilot experienced, and trusty, and wise,
To measure the seas and to study the skies:
May he hoist all his canvass from streamer to deck,
But O! crowd it higher when wafting him back-
Till the cliffs of Skooroora, and Conan's glad vale,
Shall welcome Mackenzie, High Chief of Kintail!

IMITATION OF THE PRECEDING SONG. 2

So sung the old Bard, in the grief of his heart,
When he saw his loved Lord from his people depart.
Now mute on thy mountains, O Albyn, are heard
Nor the voice of the song, nor the harp of the bard;
Or its strings are but waked by the stern winter gale,
As they mourn for Mackenzie, last Chief of Kintail.

From the far Southland Border a Minstrel came forth,
And he waited the hour that some Bard of the north
His hand on the harp of the ancient should cast,
And bid its wild numbers mix high with the blast;
But no bard was there left in the land of the Gael,
To lament for Mackenzie, last Chief of Kintail.

And shalt thou then sleep, did the Minstrel exclaim,
Like the son of the lowly, unnoticed by fame?

1 Bonail, or Bonallez, the old Scottish phrase for a feast at He was a nobleman of extraordinary talents, who must have parting with a friend.

2 These verses were written shortly after the death of Lord Seaforth, the last male representative of his illustrious house.

made for himself a lasting reputation, had not his political exertions been checked by the painful natural infirmities alluded to in the fourth stanza.-See Life of Scott, vol. v., pp. 18, 19.

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