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PREFACE TO THE EDITION OF 1814.
THE Title-page announces that this is only a portion of a poem; and the Reader must be here apprised that it belongs to the second part of a long and laborious Work, which is to consist of three parts.-The Author will candidly acknowledge that, if the first of these had been completed, and in such a manner as to satisfy his own mind, he should have preferred the natural order of publication, and have given that to the world first; but, as the second division of the Work was designed to refer more to passing events, and to an existing state of things, than the others were meant to do, more continuous exertion was naturally bestowed upon it, and greater progress made here than in the rest of the poem; and as this part does not depend upon the preceding, to a degree which will materially injure its own peculiar interest, the Author, complying with the earnest entreaties of some valued Friends, presents the following pages to the Public.
It may be proper to state whence the poem, of which "The Excursion" is a part, derives its Title of THE RECLUSE.-Several years ago, when the Author retired to his native
mountains, with the hope of being enabled to construct a literary Work that might live, it was a reasonable thing that he should take a review of his own mind, and examine how far Nature and Education had qualified him for such employment. As subsidiary to this preparation, he undertook to record, in verse, the origin and progress of his own powers, as far as he was acquainted with them. That Work, addressed to a dear Friend, most distinguished for his knowledge and genius, and to whom the Author's Intellect is deeply indebted, has been long finished; and the result of the investigation which gave rise to it was a determination to compose a philosophical poem, containing views of Man, Nature, and Society; and to be entitled, the Recluse; as having for its principal subject the sensations and opinions of a poet living in retirement. The preparatory poem is biographical, and conducts the history of the Author's mind to the point when he was emboldened to hope that his faculties were sufficiently matured for entering upon the arduous labour which he had proposed to himself; and the two Works have the same kind of relation to each other, if he may so express himself, as the ante-chapel has to the body of a gothic church. Continuing this allusion, he may be permitted to add, that his minor Pieces, which have been long before the Public, when they shall be properly arranged, will be found by the attentive Reader to have such connection with the main Work as may give them claim to be likened to the little cells, oratories, and sepulchral recesses, ordinarily included in those edifices.
The Author would not have deemed himself
justified in saying, upon this occasion, so much of performances either unfinished, or unpublished, if he had not thought that the labour bestowed by him upon what he has heretofore and now laid before the Public, entitled him to candid attention for such a statement as he thinks necessary to throw light upon his endeavours to please and, he would hope, to benefit his countrymen.-Nothing further need be added, than that the first and third parts of "The Recluse" will consist chiefly of meditations in the Author's own person; and that in the intermediate part ("The Excursion") the intervention of characters speaking is employed, and something of a dramatic form adopted.
It is not the Author's intention formally to announce a system: it was more animating to him to proceed in a different course; and if he shall succeed in conveying to the mind clear thoughts, lively images, and strong feelings, the Reader will have no difficulty in extracting the system for himself. And in the mean time the following passage, taken from the conclusion of the first book of "The Recluse," may be acceptable as a kind of Prospectus of the design and scope of the whole Poem.
"On Man, on Nature, and on Human Life,
Pure, or with no unpleasing sadness mixed;
-To these emotions, whencesoe'er they come,
I would give utterance in numerous verse.
Of moral strength, and intellectual Power;
"So_prayed, more gaining than he asked, the Bard
In holiest mood. Urania, I shall need
Nor aught of blinder vacancy, scooped out
Would chant, in lonely peace, the spousal verse
Can it be called) which they with blended might
Within the walls of cities-may these sounds
Of those mutations that extend their sway
This Vision; when and where, and how he lived ;Be not this labour useless. If such theme
May sort with highest objects, then-dread Power!