The Kenyon Review, Volumen2

Adams aesthetic Allen Tate American art American English analysis anxiety artist assertion attitude Balzac become Brecht called character complete conception contemporary criticism culture D. H. Lawrence Dictionary drama dream effect emotional English essay experience expression fact feeling Frederic Prokosch Freud Freudian function give human I. A. Richards ideal ideas imagination important interest John Crowe Ransom Julian Symons KENYON REVIEW language less literal literary literature living logical meaning ment Mexican mind modern monosign moral movement nature neurotic novel object Orozco painters painting patient pattern Paul Rosenfeld perhaps philosophy Picasso play plurisign poem poet poetic statement poetry problem psychoanalysis R. P. Blackmur reader reading reality Rimbaud romantic scientific seems semantics sense sexual Shakespeare social society symbols T. S. Eliot theme theory things thought tion tradition true truth Vautrin verse whole words writing