"On heaven and on thy lady call, And enter the enchanted hall!" XXVII. "My hope, my heaven, my trust must be, For all around, the walls to grace, A battle-axe, a hunting spear, I And broadswords, bows, and arrows store, XXVIII. The wondering Stranger round him gazed, "Whose stalwart arms might brook to wield A blade like this in battle-field." She sigh'd, then smiled and took the word: "You see the guardian champion's sword : As light it trembles in his hand, [MS.-"Here grins the wolf as when he died, There hung the wild-cat's brindled hide, As in my grasp a hazel wand; My sire's tall form might grace the part But in the absent giant's hold Are women now, and menials old." XXIX. The mistress of the mansion came, To whom, though more than kindred knew, Meet welcome to her guest she made, Though all unask'd his birth and name. Which his brave sires, from age to age, XXX. Fain would the Knight in turn require '[See Appendix, Note B.] [MS.-"To whom, though more remote her claim, 3 The Highlanders, who carried hospitality to a punctilious excess, are said to have considered it as churlish, to ask a stranger his name or lineage before he had taken refreshment. Feuds were so frequent among them, that a contrary rule would in many cases have produced the discovery of some circumstance, which might have excluded the guest from the benefit of the assistance he stood in need of. [MS.-"Well show'd the mother's easy mien."] That courts and cities she had seen; In speech and gesture, form and face, Turn'd all enquiry light away : "Weird women we! by dale and down Fill'd up the symphony between. ' [MS.-"Ellen, though more her looks betray'd The simple heart of mountain maid, "Twas strange, in birth so rude to find Such face, such manners, and such mind. Each anxious hint the stranger gave, The mother heard with silence grave."] 2 "They" (meaning the Highlanders) "delight much in musicke, but chiefly in harps and clairschoes of their own fashion. The strings of the clairschoes are made of brass wire, and the strings of the harps of sinews; which strings they strike either with their nayles, growing long, or else with an instrument appointed for that use. They take great pleasure to decke their harps and clairschoes with silver and precious stones; the poore ones that cannot attayne hereunto, decke them with christall. They sing verses prettily compound, contayning(for the most part) prayses of valiant men. There is not almost any other argument whereof their rhymes intreat. They speak the ancient French language, altered a little."*"The harp and clairschoes are now only heard of in the Highlands in ancient song. At what period these instruments ceased to be used, is not on record; and tradition is silent on this head. But, as Irish harpers occasionally visited the Highlands and Western Isles till lately, the harp might have been extant so late as the middle of the present century. Thus far we know, that from remote times down to the present, harpers were received as welcome guests, particularly in the Highlands of Scotland; and so late as the latter end of the sixteenth century, as appears by the above quotation, the harp was in common use among the natives of the Western Isles. How it happened that the noisy and inharmonious bagpipe banished the soft and expressive harp, we cannot say; but certain it is, that the bagpipe is now the only instrument that obtains universally in the Highland districts."-CAMPBELL'S Journey through North Britain. Lond. 1808. 4to. I. 175. Mr. Gunn, of Edinburgh, has lately published a curious Essay upon the Harp and Harp Music of the Highlands of Scotland. That the instrument was once in common use there, is most certain. Cleland numbers an acquaintance with it among the few accomplishments which his satire allows to the Highlanders : "In nothing they're accounted sharp, * Vide" Certayne Matters concerning the Realme of Scotland, etc. as they were Anno Domini 1597. Lond. 1603." 4to. XXXI. SONG. "Soldier, rest! thy warfare o'er, Sleep the sleep that knows not breaking: Dream of battled fields no more, Days of danger, nights of waking. In our isle's enchanted hall, Hands unseen thy couch are strewing, Fairy strains of music fall, Every sense in slumber dewing. Soldier, rest! thy warfare o'er, Dream of fighting fields no more: Sleep the sleep that knows not breaking "No rude sound shall reach thine ear, Armour's clang, or war-steed champing, Trump nor pibroch summon here Mustering clan, or squadron tramping. Yet the lark's shrill fife may come.. At the day-break from the fallow, And the bittern sound his drum, Booming from the sedgy shallow. Ruder sounds shall none be near, Guards nor warders challenge here, Here's no war-steed's neigh and champing, Shouting clans or squadrons stamping." T 2 Bugles here shall sound reveillé. Sleep! the deer is in his den; Sleep! thy hounds are by thee lying; Sleep! nor dream in yonder glen, How thy gallant steed lay dying. For at dawning to assail ye, XXXIII. The hall was clear'd-the stranger's bed His standard falls, his honour's lost. Again return'd the scenes of youth, Of confident undoubting truth; Again his soul he interchanged With friends whose hearts were long estranged. They come, in dim procession led, The cold, the faithless, and the dead; As warm each hand, each brow as gay, As if they parted yesterday. And doubt distracts him at the view, O were his senses false or true! [MS.-" And dream'd their mountain chase again."] ["Ye guardian spirits, to whom man is dear, From these foul demous shield the midnight gloom : And o'er the blank of sleep diffuse a bloom: Those long-lost friends for whom in love we smart, |