As Eve Said to the Serpent: On Landscape, Gender, and ArtUniversity of Georgia Press, 2001 M01 1 - 234 páginas "To Rebecca Solnit, the word "landscape" implies not only literal places, but also the ground on which we invent our lives and confront our innermost troubles and desires. The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. As Eve Said to the Serpent: On Landscape, Gender, and Art skillfully weaves the natural world with the realm of art - its history, techniques, and criticism - to offer a remarkable compendium of Solnit's research and ruminations." "The nineteen pieces in this book range from the intellectual formality of traditional art criticism to highly personal, lyrical meditations. All are distinguished by Solnit's vivid, original style that blends imaginative associations with penetrating insights. These thoughts produce quirky, intelligent, and wryly humorous content as Solnit ranges across disciplines to explore nuclear test sites, the meaning of national borders, deserts, clouds, and caves - as well as ideas of the feminine and the sublime as they relate to our physical and psychological terrains." "Sixty images throughout the book display the work of the contemporary artists under discussion, including landscape photographers, performance artists, sculptors, and installation artists. Alongside her text, Solnit's gallery of images provides a vivid excursion into new ways of perceiving landscape, bodies, and art. Animals and the human body appear together with space and terra firma as Solnit reconfigures the blurred lines that define nature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Contenido
I | 1 |
II | 15 |
III | 45 |
IV | 63 |
V | 90 |
VI | 99 |
VII | 109 |
VIII | 123 |
XIII | 177 |
XIV | 181 |
XV | 184 |
XVI | 186 |
XVII | 188 |
XVIII | 200 |
XIX | 205 |
XX | 219 |
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Términos y frases comunes
activists Adams aesthetic American landscape animals Ann Hamilton antlers arcadian artists atom bomb beauty became become began body Bohr Bohr's border California called Carolee Schneemann caves century clouds color contemporary creation culture death deer describe desert dirt earth ecological Effie Gray emerged environmental essay Farm Hall flowers garden gelatin silver print gender genre hair Heisenberg Helen Mayer human Ian Hamilton Finlay ideas images imagination installation Joseph Beuys Judy Dater kind labor land landscape art landscape photography language Leo Szilard literally live look maze meaning Meitner memory metaphors mountains Museum nature Niels Bohr nuclear paradise park pastoral perhaps petroglyph photographs physicists physics political postmodern Richard Misrach road Ruskin San Francisco scale scape seems sense Silicon Valley snakes social space story sublime substance symbolic Szilard territory things Thoreau tion tradition utopian vision walk Western wilderness women York Yosemite